Artists and Musicians

Categories

Cape Cod’s Longest-Running Music Festival will Launch its 51st Season on June 23

Irina Muresanu Photo by Lisa-Marie Mazzucco 8 MB

The dazzling internationally acclaimed violinist Irina Muresanu will perform in the season premiere with fellow virtuoso, the renowned Russian-born cellist Sergey Antonov.

The Meeting House Chamber Music Festival proudly announces its 51st season, opening on Monday, June 23, 2025. Following its landmark anniversary celebration last summer, the festival is set to embark on a new chapter of musical innovation under the leadership of its founder and artistic director Donald Enos. The festival’s 51st season promises a journey through music that is as diverse as it is inspiring. All concerts will begin at 7:30 PM at The Church of the Holy Spirit, Orleans. Performances will be held on Mondays June 23 and 30; Sunday, July 6; Friday, July 11; Monday, July 21; and Sunday, July 27. Series tickets will be offered at $90 (six concerts) and individual tickets at $25. Under 18, free.

The 2025 season’s star-studded premiere will feature world-renowned violinist Irina Muresanu, acclaimed cellist Sergey Antonov, and the festival’s own Donald Enos at the piano. Cape Cod residents and visitors are guaranteed a delightful summer evening showcasing the artistry for which the festival is known.

The Exciting Season Ahead

Throughout its six-concert series, the festival will yet again feature top-tier musicians and a repertoire spanning diverse styles, periods, and cultures. The popular series will also continue its commitment to celebrating women composers, as well as men, and will offer Cape Cod music-lovers a rich and exciting musical journey.

As the season progresses, audiences will be treated to performances by Irina Muresanu (violin), Sergey Antonov (cello), Elisabeth Remy Johnson (harp), Allison Parramore (flute), Amit Peled (cello), Joyce Hammann (violin), Heather Goodchild Wade (violin), Leland Ko (cello), Danielle Farina (viola), Megan Koch (cello), Katie Lansdale (violin), and Matthias Naegele (cello). Programs will include works by composers such as Mozart, Beethoven, and Brahms, as well as important lesser-known voices like Rebecca Clarke, Allison Loggins-Hull, and Jessie Montgomery.

Season Highlights

A festival premiere signaling the standard for the season ahead. Artists of remarkable stature will perform a brilliantly curated program including Anton Arensky’s Piano Trio, Op. 32—a masterpiece that allows all three musicians to display their profound musical synergy and interpretive elegance.
A spellbinding evening with harp, flute, and piano, and solo and chamber works by Francis Poulenc, Nino Rota, Doreen Carwithen, and others.
A “Midsummer Eastern European Evening” with cellist Amit Peled, exploring profound works by Weinberg and Prokofiev.
A celebration of Vivaldi, Sheng, Dvořák, and Schubert, showcasing the virtuosity of violinist Heather Goodchild Wade and cellist Leland Ko, 2024 winner of the Naumburg International cello competition in New York.
An evening of expressive depth and virtuosic collaboration featuring Haydn’s sparkling Piano Trio in C Major, the lyrical and atmospheric compositions of Rebecca Clarke, and the lush and dynamic Brahms’ Quartet in A Major.
A vibrant and reflective Season Finale to include Bloch’s evocative Three Nocturnes and Beethoven’s bold Sonata in G minor, paired with the modern energy of Andre Previn and Jessie Montgomery’s solo violin Rhapsody, and culminating with Mendelssohn’s Trio in C minor—a thrilling finale to a season of extraordinary music-making!

Donald Enos: Leading the Festival into its Second Half-Century

Donald Enos continues to lead with a vision that bridges tradition and innovation. His artistic direction, which showcases beloved classics and important newer works, celebrates the depth and diversity of the chamber music repertoire. As the festival enters its second half-century, Enos remains at the forefront of artistic excellence and creative collaboration in “the music of friends,” moving audiences with the best of chamber music for five decades and counting!

Join Us for Six Summer Evenings of Outstanding Music

More information on the upcoming season, the featured artists, individual programs, and ticketing will be available in the spring!

About the Meeting House Chamber Music Festival

Founded in 1974, the Meeting House Chamber Music Festival is Cape Cod’s longest-running music festival for a reason, renowned as it is for intimate performances by world-class artists and exceptional regional talent. The festival continues to enrich the cultural life of Cape Cod, connecting people of all ages with the joys of chamber music: the art form that gives us full-fledged masterpieces on a human scale.

LILY THE TIGER to rock at the Park Theater, Hudson, NY on Sunday, October 27!

Comments (0)

JOURNEYS IN THE LIGHT Airs on TV throughout the New York Area

JOURNEYS IN THE LIGHT, Democracy, Diversity, and Myth in the Wake of the Mayflower, a timely documentary featured in New York's prestigious Chelsea Film Festival, provides an in-depth history of Cape Cod revealing the complexity of race and democracy in America over time. Starting with indigenous community’s impact on the shaping of colonial ideals, the film moves through a rich history of activists, pioneers, and cultural leaders to reframe the American story.

Check it out in a special presentation on New York’s premiere public educational TV station, CUNY TV: FRIDAY, SATURDAY, AND SUNDAY, SEPTEMBER 15-17, AT 3:05 PM EACH DAY!

And click here to see an interview with the film’s director and producer, in collaboration with Zion Union Heritage Museum, Janet Murphy Robertson.

Meeting House Chamber Music Festival to Conclude its Sensational 50th Anniversary Season on July 22

The Meeting House Chamber Music Festival proudly announces the concluding two concerts of its remarkable 50th Anniversary Season. The performances will be held at 7:30 PM on Monday, July 15, and Monday, July 22, at the Church of the Holy Spirit, Episcopal, in Orleans, MA. Tickets are $25 at the door, and attendees under 18 are admitted free.

The penultimate concert on Monday, July 15, features a diverse program presented by distinguished musicians Elisabeth Remy Johnson on harp, Clark Matthews on horn, and Donald Enos on piano. Ms. Remy Johnson, a Cape Cod native and the principal harpist of the Atlanta Symphony Orchestra, joins Clark Matthews, the principal hornist of the Cape Symphony, and the festival’s founder, artistic director, and pianist Donald Enos.

**Program Highlights:**
- Ferdinand Ries – Horn Sonata, Op.34 (mvmt. I)
- Antonio Soler – Concerto #1 in C Major (harp & piano)
- Johannes H.E. Koch – Toccata (1982) (harp & piano)
- Koetsier – Sonata Op.94 (horn & harp)
- Jean-Michel Damase – Sonata (1964) (mvmt. III Presto) (harp & piano)
- Mel Bonis – Melisande & Desdamona (solo harp)
- Tasha Smith Godinez – El Amonecer (solo harp)
- Clarice Assad – Solais (solo harp)
- Salzedo – Whirlwind (solo harp)
- Scriabin – Romance (horn & piano)
- Vaclav Nelhybel – Scherzo Concertante (horn & piano)
- Eric Ewazen – Sonata (1992) (mvmt. I & IV) (horn & piano)

This program showcases an exhilarating range of musical styles and periods, from the classical elegance of Ferdinand Ries to the vibrant modernity of Clarice Assad. The inclusion of works by Mel Bonis and Johannes H.E. Koch highlights the festival's commitment to presenting diverse and captivating repertoire, ensuring yet another triumph for Cape Cod’s longest-running music festival.

The season finale on Monday, July 22 will feature celebrated festival performers Katie Lansdale on violin, Matthias Naegele on cello, and Donald Enos on piano. The program's dynamic character, creativity, and artistic diversity make it a fitting conclusion to the festival’s milestone season.

**Program Highlights:**
- Beethoven – Trio in E Flat Major, Op.1#1
- Germaine Tailleferre – Trio (1978) (mvmt. III & IV)
- Heinrich von Herzogenberg – Trio #2 in D minor, Op.36 (mvmt. III)
- Gaspar Cassado – Trio (mvmt. I & III)

This finale celebrates the artistry of Donald Enos, the festival’s founder and artistic director, and features works that span the classical and modern eras, embodying the festival's tradition of excellence and innovation.

The Meeting House Chamber Festival is grateful for the support of the
Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.

Join us in celebrating this momentous season at the Church of the Holy Spirit, Episcopal, Orleans, MA. For more information, visit [http://www.meetinghousemusic.org}

# # #

**About Meeting House Chamber Music Festival**
The Meeting House Chamber Music Festival, established in 1973, has been a cornerstone of the Cape Cod cultural scene, bringing world-class musicians and diverse repertoire to the community for fifty years. The festival is committed to fostering a deep appreciation for chamber music through its annual concert series.

Chamber Music Festival’s Spectacular 50th Anniversary Season Continues with Concerts on July 5 and 8

As the Meeting House Chamber Music Festival’s 50th Anniversary Season continues, we are delighted to invite Cape Cod residents and vacationers to two extraordinary concerts following the July 4th holiday. The concerts will be held at 7:30 PM on Friday, July 5 and on Monday, July 8 at the Church of the Holy Spirit, Episcopal in Orleans, MA.

Friday, July 5: Renowned cellist Amit Peled and the festival’s Founder, Artistic Director, and Pianist Donald Enos will present a quintessential example of romantic chamber music Edvard Grieg’s Sonata for cello & piano, Op.36. This will be followed, in marked contrast, by Friedrich Gulda’s Cello Concerto with its eclecticism, surprise elements, and thoroughly modernist approach.

Monday, July 8: A superb ensemble featuring Joyce Hammann (violin), Danielle Farina (viola), Megan Koch (cello), Jeffrey Carney (double bass), and Donald Enos (piano) will perform yet another diverse and captivating program:

William Walton – Piano Quartet
Nino Rota – Intermezzo (viola & piano)
Rebecca Clarke – Midsummer Moon (violin & piano)

Franz Schubert – “Trout” Quintet

Tickets for the 6-concert series are available for $90, with single concert tickets available at the door for $25. Youth under 18 can attend free of charge. For more ticketing and program information, please visit Meeting House Chamber Music Festival.
The festival continues on Mondays July 15 and 22, featuring more world-class musicians and exciting programs of classical and contemporary chamber music.
Join us for these exceptional performances and celebrate five decades of musical excellence with the Meeting House Chamber Music Festival.

About Meeting House Chamber Music Festival: The Meeting House Chamber Music Festival is dedicated to bringing high-quality chamber music to the Cape Cod community and visitors. Over the past 50 years, the festival has become a cultural cornerstone, known for its diverse programming and distinguished performers.
The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.
***

Comments (0)

Chamber Music Festival to Present Second Concert Monday, June 24

Following its spectacular season premiere last weekend, the Meeting House Chamber Music Festival will present another dazzler on Monday, June 24, 7:30 PM, Church of the Joly Spirit Episcopal, Orleans. The exciting and varied program will feature guest artists Heather Goodchild Wade-violin; Laura Manko Sahin-viola; and Leland Ko-cello performing with the festival’s Founder and Artistic Director Donald Enos-piano. Tickets only $25 at the door. More ticketing and other info at http://www.meetinghousemusic.org.

THE PROGRAM

Mozart Trio K.502

Mark O’Connor – Appalachia Waltz (solo cello)

Bach – Courante from Suite #1 (solo cello) Rizgar Ismael – Piece for solo viola

Brahms – Quartet in A Major, Op.26 (mvmt. IV) Schumann – Quartet, Op.47

Comments (0)

Cape's Beloved Festival's 50th Anniversary Season to Open Sunday, June 16

Two stars from the international music scene—cellist Amit Peled and violinist Joyce Hammann— discuss the MEETING HOUSE CHAMBER MUSIC FESTIVAL, opening its spectacular 50th Anniversary Season this Sunday, June 16, 7:30 PM, Church of the Holy Spirit Episcopal, Orleans, MA! Tickets at the door: only $25. Program details, artist bios, series tickets, and more at: http://meetinghousemusic.org.

Hear Amit and Joyce speak about the Festival,

the great musical experience Founder/Artistic Director Donald Enos has in store for us this season, and more! Tune in below to listen to the interview with Mindy Todd, host of NPR/WCAI's THE POINT.

https://www.capeandislands.org/.../2-beloved-music-festivals

Comments (0)

Longest Running CC Music Festival to Open 50th Season June 16

Here is the final line-up for the 50th Anniversary season of the Meeting House Chamber Music Festival! Join us!

To purchase your season tickets (only $90 for 6 fantastic concerts!):

Make check payable to Meeting House Chamber Music Festival and mail to:
Meeting House Festival
c/o Tom Dewing
16 Packet Landing
Orleans, MA 02653

Or call 508.896.3344

Single tickets for each concert ($25) available at the door (under 18 free).
Cash or check only.

Dana McCoy's LILY THE TIGER Wins "BEST MUSICAL" at NEW YORK'S United Solo Festival, Spring 2024

For more!

Comments (0)

Passion & Provocation: A Must-Read!

"...a must-read for any woman who has lived and loved. Her voice will sound as familiar as your own with its yearnings, triumphs, regrets and humor—a voice that speaks from the “inside out” about a woman’s life today."—Nancy Rubin Stuart, author of Poor Richard's Women and Deborah Read Franklin and the Other Women Behind the Founding Father

PASSION & PROVOCATION—Selected Poems by Judith Partelow is now available for readers everywhere! Recently released by Atmosphere Press, this noteworthy collection of Judith Partelow's poetry includes selections from her previous two chapbooks, plus many new poems. The book is available for purchase on Amazon and at numerous other locations.

BUY Passion & Provocation NOW!

Passion & Provocation,

$18.99 219 pages

For more information, updates and events, please visit Judith Partelow's website.

Passion & Provocation is an invitation to explore the many colors of Judith Partelow’s poetry; a tapestry of threads woven through tender longings and joyful celebrations of love, friendships, marriages, family bonds, the soul, and other themes of a life well lived. Critics have raved!

“It is rare indeed that I find a poetry collection so relevant to life with emotions that are captured with such passion and clarity. This is a treasury of life experiences. Here are poems for the people, written from the heart, reflections of deep sorrow and joy engraved in one’s soul. As one reads through this, it recalls pivotal times in one’s own experience. It covers the spectrum of a lifetime – from the beginnings, through first love, motherhood, family, loss, longings, the spark of renewed love; through the fear and vulnerability of losing oneself to another, rebuilding love and recognizing spiritual bonds. These vignettes, a distillation of passion and pain, trigger one’s own experiences from the well of the subconscious. Judith Partelow speaks from the heart and shines a light into the soul. She captures the fragility of life. She conveys complex emotional experiences with clarity and makes poetry accessible even to the uninitiated. This collection is truly a treasure."—Lily Poritz Miller, Editor at The Macmillan Company and McGraw-Hill, and senior editor at McClelland and Stewart for eighteen years.

"...they (Judith Partelow's poems) are very powerful and enormously intimate in that strange way when something the author feels is also felt by the reader. I felt a punch to the gut a couple of times when I had a wince of recognition - 'this very thing has happened to me!' I find in these poems a lot of strength but also a lot of vulnerability, with flashes of humor and moments of compassion."—Bill Falcetano

“With this collection of selected poems, Partelow has taken the threads of woman’s existence and woven them into a vivid tapestry of a life richly lived, poetry that is poignant and passionate, revealing and brave."—Anne LeClaire, author of Listening Below the Noise, The Halo Effect, and Entering Normal

"Passion & Provocation is a rich compilation of poems about the many phases of womanhood. Partelow uses musical language that sings her emotion: “Tropical ma-an/pulsates to a calypso beat.” In a tender moment, the author ponders the life of a mother: “an endless tune/we dance to all our lives.” She chronicles past relationships, old loves and new, while drawing the reader in with sensual images that celebrate her children and her own younger self. These are poems to savor for their astonishing beauty and contemplative vision."—Robin Smith-Johnson, Author, Dream of the Antique Dealer’s Daughter and Gale Warnings

Order your copy today!

THE AUTHOR

Judith Partelow is a playwright, journalist, reviewer, theatre/ film actress, director and former teacher of drama and English. As a professional actress, she has also read and recorded poetry of Toby Olson and all of Richard Wainwright’s children’s books. She created two chapbooks of her work: A Woman’s Heart and Carry Me Back, A Woman’s Life in Poetry. She’s developed a play from her poetry, also titled A Woman’s Heart, and in collaboration with others, another play called NEIGHBORS! addressing racism. She is featured in several cable TV interviews and poetry readings online. She lives on Cape Cod with her husband, Thom Slayter.

Back from this film's New York premiere at the prestigious Chelsea Film Festival, we are planning a series of screenings in 2024 to honor Martin Luther King, Jr. near the time of his birthday and, shortly thereafter, Black History Month. Here is what's in the queue as of today!

Sturgis Library, Barnstable, MA, Wednesday, January 17, 12 Noon. Screening of Journeys in the Light —Democracy, Diversity, and Myth in the Wake of the Mayflower in this beautiful, history library.

Cotuit Center for the Arts, Sunday, February 4. A benefit for Zion Union Heritage Museum! Zion Union Heritage Museum with Cotuit Center for the Arts present Journeys in the Light —Democracy, Diversity, and Myth in the Wake of the Mayflower, which was featured in the 2023 Chelsea Film Festival. Join us for this fundraising event for the museum, in celebration of Black History Month. Enjoy light refreshments (with cash bar) and view the film, followed by an audience participation discussion with representatives of Zion Museum. Tickets $20.

JFK Museum, Hyannis. Screening of Journeys in the Light —Democracy, Diversity, and Myth in the Wake of the Mayflower. Sunday, February 24, 2 PM. Free admission.

Lily the Tiger

Starring DANA MCCOY

Coaching and Direction

GRETCHEN CRYER

MARCIA HAUFRECHT

Development Producer

JANET MURPHY ROBERTSON

Sunday, November 12 @ 2 PM

United Solo Festival/NYC

(SOLD OUT)

Encore performance to be scheduled for the Spring 2024!

Stay Tuned for details!

Theatre Row

410 West 42nd Street

New York, NY 10036

In the original rock musical tragicomedy, Lily the Tiger, multi-award-winning Billboard chart-topping singer/songwriter Dana McCoy’s endearing character, Lily brims with unwitting grit as she navigates a parade of catastrophes with romance, family and career while searching under every rock for her inner tigress to help manage it all.

A completely fictional account, she assures us.

Much more about Lily here!

Now, say you’re like me (Dana)...

"... and you want to attend in the worst way, but that’s a lot of money right now. Please let us know because I have some friends who are loaded and bought tickets, but can’t make it in from Timbuktu or wherever, and I want my fellow poor friends in my loaded friends' seats!!! So speak up, don’t let money stand in the way. And if you’ve got it, you’ll be giving me the gift I want most for my birthday; the chance for us all to laugh together."

OTHER GREAT NEWS! Lily the Tiger ALBUM!!!

Lily and her Tigers will be recording radio versions of the songs from Lily the Tiger in early December.

If you’d like to help offset recording/mastering costs, we’d love you forever.

You can pre-order your album here!

New film probes democracy, diversity, and myth since the landing of the Mayflower

JOURNEYS IN THE LIGHT, Democracy, Diversity, and Myth in the Wake of the Mayflower premiered at the prestigious Chelsea Film Festival, October 12-15, Regal Theatres, Union Square, in the heart of New York City. The CFF is one of the top ten film festivals in North America according to USA Today's 2019 survey. Of the 131 films included in the festival from 20 countries around the world, Journeys was included as one of the “top picks” of the festival’s programmers!

This one-hour documentary presents a unique perspective on four centuries of history since the arrival of European settlers at Plymouth. The film’s creators look beyond the iconic Euro-centric Mayflower story to present highlights in the history of African Americans, Cape Verdeans, the Wampanoag people, and other people of color in the historic region of Cape Cod. At the same time, they find in the outright conflict aboard the Mayflower, the ultimate Mayflower Compact, and powerful precedents among indigenous tribes powerful relevance for the divided America of today. JOURNEYS IN THE LIGHT tells its tale through the eyes, historical research, and works of art of the vibrant community surrounding Zion Union Heritage Museum in Hyannis. Notable among the historical resources are the writings of long-time civil rights activist Dolores Daluz.

Leading up to the New York premiere, the documentary has had Cape Cod Chapter/NAACP-sponsored screenings at the Cape Cod Museum of Art in Dennis, MA, as well as in Falmouth and Provincetown, MA. In an August 2023 event in Staunton, VA, the NAACP (Staunton Branch #7119) was joined in its sponsorship by additional local organizations, including the Augusta County Historical Society, the Shenandoah Juneteenth Committee, and the Staunton Education Foundation.

JOURNEYS IN THE LIGHT is produced by Janet Murphy Robertson in collaboration with Zion Union Heritage Museum. The featured artists include Robin Joyce Miller, Carl Lopes, Pamela Chatterton Purdy, Joe Diggs, Michael Alfano, Sean Cassidy, Vasco Pires, and many others.

Janet with Lee Roscoe at the Chelsea Film Festival, where their short film THE WARNING was screened in October 2022.

Janet Murphy Robertson

Janet Murphy Robertson is the documentarian for Zion Union Heritage Museum where, in addition to Journeys in the Light, she produced the 2018 film documenting Pamela Chatterton-Purdy and Rev. Dr. David A. Purdy’s magnificent art and historical exhibition Icons of the Civil Rights Movement. Janet is also Executive Director of ArtistsAndMusicians.org, the producer of Shoestring Virtual Theater, as well as stage plays, concerts, and other cultural events. Shoestring’s 2022 film shorts titled Four Plays for a Planet in Peril (Filmmaker: Janet Murphy Robertson; Writer/Director: Lee Roscoe) have been recognized by the LA Independent Shorts Awards and the Chelsea Film Festival where Part IV: The Warning had its New York premiere in October 2022. Janet works collaboratively with clients on the whole range of activities vital to successful productions— from photography, videography, sound effects, set design, editing, and scoring to marketing, PR, and business planning.

Janet's additional production credits include several highly successful runs of A Woman's Heart by Judith Partelow and the musical version by Judith Partelow and Dana McCoy; Three Viewings by Jeffrey Hatcher; Sorry Wrong Number by Lucille Fletcher; The House of Atreus: From Tantalus through the Trial of Orestes by Elsa Bastone; Mick Ryan's Lament by Robert Emmet Dunlap and Kathi Taylor, and many other plays and concerts.

Before coming to the Cape in 2007, Janet was a senior consultant with Coopers & Lybrand (later PriceWaterhouseCoopers), Vice President of two major international retail companies, and President of the consulting firm Ogden Associates. She earned her BA at Vassar College, where she majored in Philosophy, and did graduate work at Drew University and the University of Paris.

Robin Joyce Miller

Robin Joyce Miller, Artist

Robin Joyce Miller, whose artwork is prominently featured in JOURNEYS IN THE LIGHT, frequently assists in presenting the film and joins in discussion with audiences. Robin is a retired educator, artist, author, poet and public speaker, who taught for 30+ years in the NYC school system. She spent the first half of her career teaching learning-disabled students and the next half as an art teacher. Robin was also a NYC Blueprint for the Arts Facilitator, leading workshops at the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum. She is a recipient of the NYC and NY State Region 8 Art Educator of the Year Award.

After retirement she and her husband have maintained two residences in NYC and Cape Cod. After George Floyd’s murder, Robin and her husband, James, began presenting a BLM series with the Cotuit Center for the Arts. These programs are available to the public on Cotuit on Demand - YouTube. She is also on the Board of Directors at the Cotuit Center. Robin has served as a volunteer and resident artist at the Zion Union Heritage Museum, Hyannis since 2013. You can view more of Robin’s work on www.robinjoycemillerart.com.

Meeting House Chamber Music Festival to Present Grand Season Finale

On Monday, July 24 at 7:30 PM, the Meeting House Chamber Music Festival will present a fitting cap to a season that has brought audience after audience to its feet throughout this 49th summer season. The season finale will feature chamber music gems from Telemann, Mozart, Shostakovich, Frank Bridge, and Benjamin Britten. All festival concerts are presented at Church of the Holy Spirit, Orleans. Tickets are $25 at the door (under 18 free). Additional festival information can be found at http://www.meetinghousemusic.org

Joining the festival's Artistic Director and pianist Donald Enos will be a perennial festival favorite, violinist Katie Lansdale, and violist Danielle Farina in her debut concert with the festival. They will perform Five Pieces for violin & viola by Shostakovich; Frank Bridge's Pensiero & Allegro Appassionato for viola and piano; Benjamin Britten’s Suite, op.6 for violin and piano; Telemann's Sonata Fantasia; and Mozart’s Sinfonia Concertante K. 364.

Violinist Katie Lansdale is a highly acclaimed soloist, chamber musician, and teacher who performs to enthusiastic audiences in the U.S. and internationally. She has given outstanding performances with many prestigious orchestras, including the National Symphony, the Baltimore Symphony, the Cleveland Chamber Symphony, the Austin Mozart Orchestra, and the New York Repertory Orchestra, as well as such concert series as the Phillips Collection, the Caramoor Series, and Lincoln Center’s Rose Room. In New York, where she founded the acclaimed Locrian new music group, Lansdale’s extensive chamber music concerts have included Mostly Mozart at Lincoln Center with Yo Yo Ma and Merkin Hall with the Twentieth Centuryists. She performs regularly in Carnegie Hall's Weill Hall with the Festival Chamber Society. Lansdale is particularly known for her solo Bach performances, and her Bach CD was cited by American Record Guide as “one of the best recordings of this music.”

Danielle Farina is the new Principal Violist of the Cape Symphony (Cape Cod, MA) and is a former member of the Manhattan String Quartet, the Lark Quartet and Elements Quartet. She performs regularly with a number of ensembles in the NY area and around the country, among them the Bedford Chamber Ensemble, Music from Copland House and the Palladium Chamber Players. A proponent of new music, Ms. Farina premiered Peter Schickele's Viola Concerto with the Pasadena Symphony and recorded Viola concertos by Jon Bauman and Andy Teirstein in addition to Anthony Newman's Sonata on the Planets for Viola and Piano and Joel Suben’s “Ciacconetta”for Viola and Orchestra with the composer conducting. Music of Robert Paterson, John Musto, Eric Ewazen, Morton Feldman and Pierre Jalbert are also part of the discography. Recent digital audio and video releases include all of J.S. Bach’s Sonatas for Gamba and Harpsichord with Anthony Newman and Richard Wilson’s Music for Solo Viola. An active teacher, Ms. Farina is on the faculty of Vassar College. A graduate of the Curtis Institute of Music, Ms. Farina studied with Karen Tuttle, Joseph dePasquale, Stephen Wyrczynski, and Byrnina Socolofsky.

Donald Enos, a native Cape Codder, holds the position of Wesley DeLacy Chair, Keyboards, with the Cape Symphony and is the resident pianist for the Chatham Chorale. He is also director of music at the South Dennis Congregational Church, where he often presents concerts on the church’s Snetzler Chamber Organ (1762), believed to be the oldest organ in continuous use in the United States. It is his exceptional musicianship and creativity that have made the Meeting House Chamber Music Festival the longest running music festival on Cape Cod. The festival will be celebrating its 50th Anniversary in the summer 2024. Prepare to be spellbound!

The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.

Comments (0)

Meeting House Chamber Music Festival to Present Masterpieces from around the World

On Monday, July 17 at 7:30 PM, the Meeting House Chamber Music Festival will present a selection of full-fledged masterpieces with the characteristic intimacy and human scale of chamber music. The program features music from various countries and historical eras, all allied in their portrayal of intense and contrasting emotions. All festival concerts are presented at Church of the Holy Spirit, Orleans. Tickets are $25 at the door (under 18 free). Additional festival information can be found at http://www.meetinghousemusic.org

The first movement of Schubert’s Arpeggione Sonata is a blend of light and darkness, much like the composer’s own life. The astonishing range in mood runs from sensitivity and lyricism to gaiety to intense sadness. Gaspar Cassado’s Trio is agile and virtuosic. Like the Schubert piece, it creates a powerful dark-tinged mood that yields to a carefree dancing finale. Panufnik’s Piano Trio is full of panache and youthful romanticism and, like all the pieces in this program, it has an incredibly rich and varied emotional range. Mendelssohn’s Trio bursts with fiery emotion and also contains sublime, prayer-like moments.

Joining the festival's Artistic Director and pianist Donald Enos will be violinist Joyce Hammann and cellist Matthias Naegele. Joyce Hammann is a virtuoso who is equally at home on the concert stage, in a jazz club, and in front of screaming fans at a rock concert. She has performed and recorded with Paul McCartney, Sting, Michael Jackson and Bruce Springsteen and served as concertmaster for The Phantom of the Opera. Matthias Naegele has performed extensively as soloist and chamber musician in Europe, the United States, Mexico, Brazil, and Asia. Naegele's performances are regularly broadcast over National Public Radio and Public Television. He plays a Mateo Gofriller cello made in Venice in 1735.

The Meeting House Chamber Music Festival is the longest-running music festival on Cape Cod. The finale for this 49th summer season will take place on Monday, July 24 and will feature works by Shostakovich, Frank Bridge, Benjamin Britten, Telemann, and Mozart. A complete program listing for the 2023 season is attached and available at http://www.meetinghousemusic.org.

The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.

Comments (0)

Meeting House Chamber Music Festival to Present “American Landscape”

On Monday, July 10 at 7:30 PM, the Meeting House Chamber Music Festival will take its audience on an exhilarating tour of American music culminating in a Broadway-themed premiere. Artistic Director Donald Enos is known for drawing inspiration from diverse cultures and historical periods and he and his longtime collaborator, the renowned cellist Amit Peled, have upped the ante once again. This “American Landscape” concert will feature American composers George Gershwin, Florence Price, Aaron Copland, Samuel Barber, and Victor Herbert. The premiere of “Broadway Famous Themes arranged for cello and piano”—a delightful piece by Israeli cellist/composer Guy Eylon—will complete the musical tour. All festival concerts are presented at Church of the Holy Spirit, Orleans. Tickets are $25 at the door (under 18 free). After the July 10 concert, the fourth of the season, the festival will continue for two more Mondays: July 17 and 24. Additional festival information can be found at http://www.meetinghousemusic.org

Musical ideas migrate, cross-pollinate, and evolve into new forms and styles over time and the upcoming program uses American music as a shining example. Gershwin’s Three Preludes is a fitting start for the journey as it exemplifies the influence of jazz on early-20th-century American classical music. Next up is a piece by Florence B. Price, the first black woman in the U.S. to be recognized as a symphonic composer. Price’s gorgeous adagio from her Concerto in One Movement has a lyrical theme in the classical European tradition withstrains of African American folk. In the tradition of spirituals combining European religious elements with African music forms, the spiritual “Motherless Child” dates back to the era of slavery and expresses the suffering and intermittent despair of a child torn from her parents and a people separated from its motherland.

Samuel Barber’s Sonata for Cello and Piano, written by this American composer as he traveled in Europe, is profound and passionate in the manner of the great European romantic composers such as Brahms. Aaron Copland’s Waltz and Celebration incorporates several cowboy tunes and American folk songs and evokes the pioneer West with its colorful characters like Billy the Kid. Victor Herbert’s Concerto number 2 is another stunning example of how musical ideas migrate. This moving piece gives hints of the musical interchange between Herbert and Dvořák, colleagues at New York's National Conservatory in the early 1890s. While Herbert inspired Dvořák to write a cello concerto himself, this concerto bears the imprint of Dvorak’s music and, in particular, the Symphony from the New World. And finally, the audience will be treated to Guy Eylon’s new piece, a tribute to the quintessentially American genre, the Broadway musical!

The Meeting House Chamber Music Festival is grateful for the generous support of the Massachusetts Cultural Council, Cape Cod 5, and the Mary Louise and Ruth N. Eddy Foundation.

Comments (1)

NAACP Cape Cod to Sponsor Film Screenings in Celebration of Juneteenth 2023

The last of several preview screenings of Journeys in the Light will be presented at Brewster Ladies Library on Saturday, June 10, 2 PM! Admission FREE!

Meeting House Chamber Music Festival Announces Summer 2023 Line-up!

JOURNEYS IN THE LIGHT, Democracy, Diversity, and Myth in the Wake of the Mayflower: Sunday, May 7, 3 PM

On Sunday, May 7, at 3 PM, the Jacob Sears Memorial Library will present a preview of this newly updated one-hour documentary. The film’s creators look beyond the iconic Euro-centric Mayflower story to present highlights in the history of the African American and Cape Verdean people in this region since the arrival of the English settlers in 1620. They find in the Mayflower Compact, and antecedents in Native American governance, powerful relevance for the divided America of today. Journeys in the Light tells its tale through the eyes, historical research, and works of art of the vibrant community surrounding Zion Union Heritage Museum in Hyannis. The documentary, produced by Janet Murphy Robertson, features important local artists including Robin Joyce Miller, Carl Lopes, Pamela Chatterton Purdy, Joe Diggs, Michael Alfano, Sean Cassidy, Vasco Pires, and others.

JOURNEYS Film Preview, First Parish Brewster, Sunday, February 12, 2 PM

The new release of Journeys in the Light was previewed at First Parish Brewster UU on Sunday, February 12. Under its new title, JOURNEYS IN THE LIGHT, Democracy, Diversity, and Myth in the Wake of the Mayflower, the one-hour documentary presents a unique perspective on four centuries of history since the arrival of European settlers in this region.

The film’s creators look beyond the iconic Euro-centric Mayflower story to present highlights in the history of African Americans, Cape Verdeans, Wampanoags, and other People of Color here. At the same time, they find in the outright conflict aboard the Mayflower, and the ultimate Mayflower Compact, powerful relevance for the divided America of today. Journeys in the Light tells its tale through the eyes, historical research, and works of art of the vibrant community surrounding Zion Union Heritage Museum in Hyannis. Notable among the historical resources are the writings of long-time civil rights activist Dolores Daluz.

This Black History Month program included a brief introduction by the filmmaker, Janet Murphy Robertson, with a special tribute to John L. Reed, her collaborator in the creation of this film, who passed away several days before the event. Robin Joyce Miller read a moving tribute to Mr. Reed written by Massachusetts Representative Kip Diggs. After the screening, Janet Robertson was joined for Q & A by Ms. Miller, who contributed research, commentary, poetry, and history-inspired works of art to the film. The poetry of Robin’s husband James W. Miller is also featured.

Journeys in the Light is produced by Janet Murphy Robertson of ArtistsAndMusicians.org in collaboration with Zion Union Heritage Museum. In addition to Robin Joyce Miller, the featured artists include Carl Lopes, Pamela Chatterton Purdy, Joe Diggs, Michael Alfano, Sean Cassidy, Vasco Pires, and many others. Artwork by Robin, Lee Roscoe's new book Wampanoag Art through the Ages, Traditional and Transitional, and other items will be available for purchase at the event.

Robin Joyce Miller

Robin Joyce Miller is a retired educator, artist, author, poet and public speaker, who taught for 30+ years in the NYC school system. She spent the first half of her career teaching learning-disabled students and the next half as an art teacher. Robin was also a NYC Blueprint for the Arts Facilitator, leading workshops at the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum. She is a recipient of the NYC and NY State Region 8 Art Educator of the Year Award.

Janet Murphy Robertson

Janet Murphy Robertson is the documentarian for Zion Union Heritage Museum where, in addition to Journeys in the Light, she produced the film documenting Pamela Chatterton-Purdy and Rev. Dr. David A. Purdy’s magnificent art and historical exhibition Icons of the Civil Rights Movement. Janet is also Executive Director of ArtistsAndMusicians.org, the producer of Shoestring Virtual Theater, as well as stage plays, concerts, and other cultural events. Shoestring’s 2022 film shorts titled Four Plays for a Planet in Peril (Filmmaker: Janet Murphy Robertson; Writer/Director: Lee Roscoe) have been recognized by the LA Independent Shorts Awards and the Chelsea Film Festival where Part IV: The Warninghad its New York premiere in October 2022. Janet works collaboratively with clients on the whole range of activities vital to successful productions— from photography, videography, sound effects, set design, editing, and scoring to marketing, PR, and business planning.

Before coming to the Cape in 2007, Janet was a senior consultant with PriceWaterhouseCoopers, Vice President of two major retail companies, and President of the retail consulting firm Ogden Associates. She earned her BA at Vassar College, where she majored in Philosophy, and did graduate work at Drew University and the University of Paris (Nanterre).

Dana McCoy's LILY THE TIGER is Roaring!

Dana McCoy will be presenting a private showcase of Lily the Tiger next month at SMASH STUDIOS. This is an important step in the development process and our team is excited! As we proceed, we will be exploring wonderful opportunities for Lily, including a Rock Album, a Touring Show, a film, a TV Series...and, if the world sees the potential we do....a Broadway Rock Musical! Thank you so much for supporting us as we move along! More about Lily.

For the showcase, Dana's amazing fellow tigers include:

Drums ALBERT BOUCHARD (Blue Oyster Cult)

Bass ALEC MORTON (Raging Slab and Monster Magnet)

Guitar MIKE FORNATALE (Murderer's Row, Dot Wiggin Band, The Left Banke)

Keyboards C.P. ROTH (worked with Ozzy Osbourne, Denis Leary, Sex&Drugs&Rock&Roll)

And we are so grateful for the support of Marcia and Gretchen!

Director: MARCIA HAUFRECHT (Actors Studio, Armageddon Time)

Coaching: Hit Broadway performer, writer, and director GRETCHEN CRYER (I'm Getting My Act Together and Taking it on the Road)

The show is touching, bound to both break your heart and split your sides. And the music is melodious, memorable, and foot-stomping! We are now assembling a machine to bring Lily to the world. Please contact me (Development Producer, Janet Murphy Robertson) if you would like to collaborate. More information here!

We welcome and appreciate donations along the way and, unless you prefer to be anonymous, we will publicly and enthusiastically acknowledge your generosity. Thank you!!!

FOUR PLAYS FOR A PLANET IN PERIL: A CAPE COD PREMIERE

FOUR PLAYS FOR A PLANET IN PERIL
written and directed by Lee Roscoe,
filmed and produced by Janet Murphy Robertson

Cape Cod Premiere
Eastham Public Library, 190 Samoset Rd., Eastham, MA 02642

_______________

WATER SPIRITS COLLOQUY

THE CAGE

REPRIEVE

THE WARNING

On Wednesday, July 20 a series of short films titled FOUR PLAYS FOR A PLANET IN PERIL was presented at the Eastham Public Library. Following the 80-minute screening, there was a brief Q & A with the writer/director, Lee Roscoe, and filmmaker/producer Janet Murphy Robertson.

Earth’s peril is portrayed differently in each piece. In the first—the poetic and dreamlike Water Spirits Colloquy—two Greek demigods and a legendary Native American spirit meet to share their torment over the ravaging of Earth’s waters by humans and ultimately conspire to exact revenge. They interact amidst spectacular underwater and terrestrial imagery and in scenes of environmental destruction that build to a dramatic ending.

In The Cage, three characters—a boss, a middle manager, and a worker—argue with a mixture of stunning insight and staggering myopia in what might be described as a class war in nine minutes. The highly stylized acting verges on comedy as it highlights the societal conflicts that contribute to inaction on climate issues.

The raw emotion and ultimate sweetness of Reprieve are a counterpoint to the power and intensity of the pieces that precede and follow it. An indigenous man in despair over the demise of his culture and the Earth is saved by the caring concern and common decency of people he barely knows. This work’s inclusion in the series gives a hint of what the films’ creators see as virtues that might help save the planet.

According to Roscoe, a long-time environmentalist, as well as playwright, “Our goal is to draw attention to the uncomfortable reality that our whole way of life, in effect, creates the Earth’s climate, sometimes with catastrophic consequences. We employ a range of theatrical techniques—heightened language, humor, outrage, satire, hyperbole, melodrama—as well as exciting new film technologies to entertain and engage viewers and provoke awareness, discussion and, we hope, constructive action.”

In The Warning, the cycle ends with an explosion of imagery and over-the-top theatrics, noted by Roscoe as “inspired by 1930s German expressionist George Grosz.” In this hyperbolized eco-feminist cartoon, Roscoe herself, as Woman/Earth, takes to the stage and reacts viscerally to the assaults on her body by the heat and fire of fossil fuels and confronts the puppet politicians and corporate overlords responsible. The Warning is an official finalist in three categories for the Independent Short Film Awards in L.A.: Best Experimental Short, Best Original Story, and Best Ensemble Cast.

In addition to Roscoe, the cast includes nine other beloved Massachusetts-based actors: Tom Wolfson, Judith Partelow (courtesy of SAG), Rod Owens, Karen McPherson, Constance Wilkinson, Cleo Zani, Geof Newton, Olivia Thompson, and LeVane Harrington.

The three experimental, non representational “shorts”—Water Spirits Colloquy, The Cage, and The Warning—were composed and filmed in a studio in Dennis during the height of the COVID-19 pandemic by Janet Murphy Robertson. She filmed the only “realistic” work of the four, Reprieve, on site in Dennis. All four films are produced by Shoestring Virtual Theater, a new venture (founded in 2021) of Robertson’s marketing and production firm ArtistsAndMusicians.org. The works employ a mix of techniques and technologies native to theater, film, and TV, including both traditional and green-screen filming/recording, cartooning, sound effects, special effects, musical scores, virtual video and photographic backgrounds, and black-and-white, as well as color, styling. The films will be available for online viewing at a later date and details will be posted at ArtistsAndMusicians.org and elsewhere.

FOUR PLAYS FOR A PLANET IN PERIL is supported in part by grants from the Massachusetts Cultural Council (Towns of Brewster and Dennis).

Lee Roscoe is an award-winning playwright, environmentalist and journalist and currently a correspondent for Artscope Magazine and Provincetown Magazine. She is a former Cape Cod and Massachusetts environmental activist and environmental educator. She has long-time ties to the environmental science and education community as a Woods Hole Ocean Science Journalism Fellow, a recipient of numerous WHSTEPS (Woods Hole Science, Technology and Education Partnership grants), an Eisenhower grant for creating nature/curriculum, a Massachusetts legislature commendation and EPA award and other awards and grants. As a journalist Lee Roscoe has covered many environmental stories, regionally and nationally (some cited in scientific journals) for publications such as Massachusetts Wildlife Magazine, New York Conservationist, Oceanus online (WHOI's magazine), Sierra, and Natural History Magazine. Her theater writing has been praised as “brilliant,” “powerful and important theater,” by such notables as the artistic director of Shakespeare Theatre Company, D.C., Michael Kahn; the founder of New York’s Living Theater, Judith Malina; playwright David Hare; and the late Howard Zinn, as well as other theater greats and public intellectuals. Early in her career, she worked as an Equity actress Off-Broadway and in indie films.

Janet Murphy Robertson is a former New York executive and management consultant and the founder and executive director of ArtistsAndMusicians.org, a firm that spotlights creative and socially conscious people and produces plays, films, and musical events. Her earlier films about social issues include Journeys in the Light, Untold Stories of Cape Cod, produced with Zion Union Heritage Museum (Hyannis) and Icons of the Civil Rights Movement, based on Pamela Chatterton-Purdy and Rev. Dr. David A. Purdy’s landmark exhibition by this name.

Comments (0)

Spectacular Chatham Chorale Christmas Concert December 17 and 18!

Soprano Joan Kirchner to Headline Early Music Concert, November 19 and 20

On Sunday, November 20 at 4 pm, Church of the Messiah, 22 Church Street, Woods Hole, MA will host Courante Cape Cod players Jan Elliott (recorder), Molly Johnston (viola da gamba), David Gable (violin), and Brittany Lord (harpsichord) in a concert titled "Music for a While." This outstanding Cape Cod group will perform the same program on Saturday, November 19 at 3 pm at the Federated Church, 320 Main Street, Hyannis. Guest artist for both concerts will be soprano Joan Kirchner.

Courante performs music of the seventeenth and eighteenth centuries on period instruments. The group's name is taken from a popular baroque dance characterized by sprightly rhythms and triple meter. This concert's attendees will be treated to songs and dances by Henry Purcell, courante by Giovanni Battista Buonamente, songs by Claudio Monteverdi's Scherzi Musicali, and cantatas by Georg Philipp Telemann.

Additional opportunities to hear soprano Joan Kirchner!

Also this same weekend—Friday, November 18, 7 pm—Our Lady of the Cape Parish, Brewster will present

"A Change of Seasons" benefit concert for local food pantries. A bevy of talented musicians including soprano Joan Kirchner will present a variety of selections from Broadway to favorite carols.

Sunday, December 18, 4:00 pm, St. Christopher's Church, Chatham. The Cape Cod String Quartet will present "Christmas Around the World." Guest artist Joan Kirchner will provide vocals on several numbers including "O Holy Night" and will also play selections on the church's new Dobson organ.

International Music Star Amit Peled to Perform on Cape Cod Saturday and Sunday, November 5 and 6

Amit Peled is well known to Cape Cod audiences as he has performed with Donald Enos and the Meeting House Chamber Music Festival each summer for many years. Now we will be treated to a fall performance by this great cellist! Join Amit Peled and the Falmouth Chamber Players Orchestra on the weekend of November 5-6. Please see details in Marilyn Rowland's article below And don't miss the inevitably spectacular 49th summer season of the Meeting House Festival, June-July, 2023. Details will be posted here in the spring!

From Marilyn Rowland's "Notes on the Arts"

Internationally renowned Israeli cellist Amit Peled will perform Haydn’s Cello Concerto No. 1 in C Major with the Falmouth Chamber Players Orchestra, under the direction of William Drury, on Saturday, November 5, and Sunday, November 6, at the First Congregational Church of Falmouth, 68 Main Street. Both performances are at 3 PM. Tickets are $20 and available only at the door. For more information about the concert and the Falmouth Chamber Players Orchestra, visit falmouthchamberplayers.org, or call Fritz Sonnichsen at 508-274-2632.

Other works on the program are Mozart’s Overture to his opera, “The Abduction from the Seraglio,” and Schubert’s Symphony No. 8 in B minor (“Unfinished”).

Acclaimed as one of the most exciting and virtuosic instrumentalists on the concert stage today, Peled has performed in many of the world’s most prestigious venues, has released over a dozen recordings, and is on the faculty of the Peabody Institute of the Johns Hopkins University in Baltimore. He has presented master classes around the world, and, during the pandemic, he established the Amit Peled Online Cello Academy, providing classes based on his book, “The First Hour – A Cellist’s Daily Technical Regimen.” An enthusiastic and generous teacher, he also provides free “Teaching Tips” via YouTube and Facebook. In the background, his home studio features striking works by local artists for his worldwide audiences to enjoy.

Born and raised on an isolated kibbutz in Israel, Peled did not start taking cello lessons until he was 10 and, for a time, was distracted by basketball—he is six foot five. Peled has retained a buoyant athleticism in his playing, using his whole body to express his dynamic musical voice.

Peled has strong ties to the Cape, considering it his second home, and is enthusiastic about playing with the Falmouth Chamber Players Orchestra. A frequent performer to sold-out crowds on the Lower Cape, this concert will be his first on the Upper Cape since his early days performing intimate concerts at Johnson String Instrument in Falmouth.

“Haydn C is the first concerto I ever played with an orchestra and the one I have played most frequently,” said Peled. “I just love it. It’s hard and it doesn’t get any easier, but it is so much fun for the orchestra, for the soloist, and for the audience. It never gets boring, and it demands great communication between the orchestra and the soloist.

“C major is the most heroic and festive key for the cello,” Peled said. “Haydn really knew how to write for the cello, incorporating a full range of cello techniques.”

“The concerto always brings something new from me. Each orchestra takes you on a different journey. Each conductor takes you a different way. I allow myself to integrate with the orchestra and conductor. It’s always fun.”

One of Peled’s performances of the concerto was for Bernard Greenhouse, a former student of the legendary Pablo Casals and one of the founding members of the Beaux Arts Trio. Greenhouse was Peled’s “cello idol” because of his beautiful and distinctive tone. So, after Peled spent a year studying cello at Yale, he called Greenhouse, then 81 and retired, at his home in Wellfleet and asked to play for him.

Greenhouse was so impressed with the young cellist that he said, “If you’re willing to live here in Wellfleet, I’ll teach you for free.” Elated, but impoverished, he left a note in the Wellfleet Public Library: “Young Israeli cellist looking for a place to live in return for housework.”

“Just luckily, Judith Davidson saw the note,” Peled said, and she and her husband Arthur offered him their home. “They are still my best friends and have become like family to me, all because of my admiration for Greenhouse.

“Every summer since I left the Cape, more than 20 years ago, every summer I come here to play with Donald Enos, with the Meeting House Chamber Music Festival, or with the Cape Cod Chamber Music Festival.”

Peled also performed Haydn’s Cello Concerto in C Major at his graduation ceremony from the New England Conservatory, where he studied with Laurence Lesser. He has also performed an all-cello version of the concerto in Wellfleet (and elsewhere) with his Peabody cello students. “I have a lot of connections to Haydn C and to Massachusetts that are very special,” Peled said.

In a 2021 interview with Strad Magazine, Peled said, “We should open our eyes and ears to where we live and play for small communities. You can do just as much good playing in schools, retirement homes and jails as you can in Carnegie Hall. It is unbelievable how music can impact people.”

In 2012, after hearing Peled play, Pablo Casals’ widow Marta Casals Istomin entrusted him with the loan of Casals’ favorite instrument, his 1733 Matteo Goffriller cello, which Casals had purchased in 1913 and had used for all his recordings until his death in 1973.

“It was an amazing experience,” said Peled. “It was supposed to be a loan of only one year. I had it for six years and feel very honored and privileged to have played it.”

Peled is perhaps even more excited about his current cello. “It is the first time in my life that I have owned an instrument—I was always playing on an instrument provided by a foundation,” he said. “This instrument is not an old Italian cello. It’s an old American cello, an American Strad, as we call it, made by Carl Becker, who was the best cello maker ever, in Chicago.

“I simply love it,” Peled said. “When I first played it, I said, ‘this is my voice.’ I’m so very happy to own this special instrument. This concert with the Falmouth Chamber Players Orchestra will be my first time performing Haydn C on it, and I am looking forward to that.”

Peled’s love of the cello and his belief in the power of music and its ability to transcend barriers is unmistakable. He is convinced of its ability to speak to audiences, to bring respite in challenging times, to inspire and bring joy, and he is honored by his ability to share his music—and Haydn’s—and the legacies of his teachers with the world.

Comments (0)

“Summer” from Vivaldi’s Four Seasons Highlights Festival’s Season Finale

On Monday, July 25, at 7:30 PM, the Meeting House Chamber Music Festival brought to a close a season widely seen as nothing short of superb. Guest artist Katie Lansdale performed with the Festival’s founder, artistic director, and pianist Donald Enos in the comfortable air conditioned space of Holy Spirit Episcopal in Orleans. The event will conclude the Festival’s 48th summer season—a season where standing ovations have become the norm. The series features world renowned guest artists performing with top flight talent from Cape Cod in programs of classical and contemporary music from the pantheon of chamber music composers. For those not holding season tickets, single tickets ($25) may be purchased at the door. For more about this highly popular and long-running festival, please visit http://www.meetinghousemusic.org.

Vivaldi’s exuberant “Summer” movement from the Four Seasons (with visuals!) is the centerpiece of the program, which also features works by Telemann and Ysaye and Sonatas by Andre Previn and Mozart (K.306).

Pianist Donald Enos, a native Cape Codder, also holds the position of Wesley DeLacy Chair, Keyboards, with the Cape Symphony and is the resident pianist for the Chatham Chorale. He is also director of music at the South Dennis Congregational Church, where he often presents concerts on the church’s Snetzler Chamber Organ (1762), believed to be the oldest organ in continuous use in the United States. It is his exceptional musicianship and creativity that have made the Meeting House Chamber Music Festival the longest running music festival on Cape Cod.

The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.

Two Music World Stars to Perform with the MH Chamber Music Festival, Tuesday July 19

Violinist Irina Muresanu

Two stars from the international music scene will perform with the Meeting House Chamber Music Festival. Romanian-born violinist Irina Muresanu, a Festival favorite, is known for her passionate, fearless playing. Her dazzling performances have been cited frequently by The Boston Globe as among the best of classical music performances. Cellist Sergey Antonov was the Gold Medal Winner (XIII) in the International Tchaikovsky Competition. Music critic Stephen Brookes of The Washington Post referred to Antonov as one of Russia’s "most spectacular soloists.” Both of these musicians have people crowding into recital halls around the world and Cape Cod residents and visitors will have their opportunity to hear them, along with the Festival’s artistic director and pianist Donald Enos, at Holy Spirit Episcopal in Orleans. Single tickets ($25) may be purchased at the door. Complete ticketing and program information at http://www.meetinghousemusic.org or by calling 508.896.3344.

The concert program includes Brahms’ Piano Trio in B major, premiered by a youthful Brahms in 1855 and imbued by the composer with even greater beauty and dynamism in a revision three decades later. A second piece is by the Norwegian composer, conductor, and violinist Johan Halvorsen—a widely acknowledged work of genius that has an important place in the chamber music repertoire: Passacaglia for Violin and Cello, based on the final movement of Handel’s Harpsichord Suite in G Minor.

This 48^th summer season of the Meeting House Chamber Music Festival might be called the season of standing ovations, as concert after concert has brought audiences to their feet. This penultimate concert promises to do the same. The final concert of the season will be given on Monday, July 25 at 7:30 PM, also at Holy Spirit Episcopal. It will feature Donald Enos and the highly lauded soloist, chamber musician, and teacher Katie Lansdale.A complete program listing for the 2022 season is available at http://www.meetinghousemusic.org.

The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.

Meeting House Chamber Music Festival Presents "Enough Beauty to Last a Lifetime"

On Tuesday, July 12 at 7:30 pm, the remarkable musicianship of the Meeting House Chamber Music Festival will be on full display as it welcomes violinist Joyce Hammann and cellist Matthias Naegele to perform with the festival’s artistic director and pianist Donald Enos. Hammann has been lauded by The New York Times for her "splendid soloing" and "sweet, rich tone.” Naegele performs to enthusiastic audiences around the world. The centerpiece of the program will be Beethoven’s “Ghost” Trio (1809), one of the most popular works in the chamber music repertoire, whose spooking-sounding slow movement earned it the “ghost” nickname nearly 200 years ago. For those not holding season tickets, single tickets ($25) may be purchased at the door. Complete ticketing and program information can be found at http://www.meetinghousemusic.org or by calling 508.896.3344.

George Bernard Shaw’s description of Beethoven’s music fits the entire program well—“Enough beauty to last a lifetime”—and the beauty of this upcoming concert emanates from around the world. Included will be Germaine Tailleferre’s ebullient and entirely French 2nd Sonata for violin & piano; Spanish composer Enrique Granados’ magnificent Intermezzo for cello and piano; British composer James MacMillan’s Piano Trio #2; and Estonian composer Arvo Pärt’s Spiegel im Spiegel for cello & piano.

Joyce Hammann is a virtuoso with an astonishing range—equally at home on the concert stage, in a jazz club, or in front of screaming fans at a rock concert. She has performed and recorded with Paul McCartney, Sting, Michael Jackson and Bruce Springsteen and served as concertmaster for The Phantom of the Opera. Matthias Naegele has performed extensively as soloist and chamber musician in Europe, the United States, Mexico, Brazil, and Asia. Naegele's performances are regularly broadcast over National Public Radio and Public Television. He plays a Mateo Gofriller cello made in Venice in 1735.

The Meeting House Chamber Music Festival is the longest-running music festival on Cape Cod. After July 12, this 48th summer season will continue with two additional concerts: Tuesday July 19 and Monday July 25. A complete program listing for the 2022 season is attached and available at http://www.meetinghousemusic.org.

The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.

Comments (0)

Meeting House Chamber Music Festival to Present Three Quartets, Masterpieces on a Human Scale

Heather Goodchild Wade and Laura Manko Sahin

Violinist Heather Goodchild Wade and Violist Laura Manko Sahin. Photo credit Nancy Viall Shoemaker

On Tuesday, July 5 at 7:30 pm, the Meeting House Chamber Music Festival will present three quartets—all masterpieces on a human scale—written across three centuries and in very different musical styles. The event will feature three of the festival’s favorite guest artists—violinist Heather Goodchild Wade, violist Laura Manko Sahin, and cellist Bo Ericsson—as well as the festival’s Artistic Director and pianist Donald Enos. The concert will be presented at Church of the Holy Spirit Episcopal, Orleans. 7-concert series ticket: $90. Single tickets ($25) may be purchased at the door. Complete ticketing information and program information at http://www.meetinghousemusic.org or by calling 508.896.3344.

The program will open with Mozart’s bright, melodious, and elegant Piano Quartet in E-flat Major, a masterpiece of the Classical Period. The quartet was written in 1783, not long after that new-fangled instrument, the piano, was first played in concerts. Written six decades later, Robert Schumann’s Piano Quartet includes an Andante cantabile that has been called one of the most beautiful cello themes of the Romantic Period. The work as a whole was described by a prominent reviewer of the time as “most lovely and appealing, uniting a wealth of beautiful musical ideas with soaring flights of imagination.” The British composer Frank Bridge completed his Phantasy Piano Quartet in 1910. Bridge’s most famous pupil, Benjamin Britten, described this brilliant work as “sonorous yet lucid, with clear, clean lines…. the music of a practical musician, brought up in German orthodoxy, but who loved French romanticism and conception of sound.”

A complete program listing for the 2022 season is available at http://www.meetinghousemusic.org.

The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.

Comments (0)

World Renowned Cellist Amit Peled to Perform in Orleans on Friday, July 1

Photo by Melissa Golden

On Friday, July 1, at 7:30 pm, Cape Cod audiences will have the delight of hearing the internationally acclaimed cellist Amit Peled perform in Orleans, MA in the third concert of the Meeting House Chamber Music Festival’s 48^th summer season. Peled will put his bow to the same 1733 Gofriller cello once treasured and played by the great Pablo Casals himself. A 7-concert series ticket: $90. Single tickets ($25) may be purchased at the door. Complete ticketing and program information at http://www.meetinghousemusic.org or by calling 508.896.3344.

Amit Peled has enchanted the festival’s many fans each summer for years, just as he has thrilled audiences worldwide. Reviewers in the U.S. and around the globe have praised his performances: “fiery and intelligent” (The Strad Magazine, London), “sweepingly temperamental” (The Jerusalem Post), “simply gorgeous sound” (The Baltimore Sun), “a glowing tone, a seductive timbre and an emotionally pointed approach to phrasing" (The New York Times), among countless examples.

Amit Peled is widely celebrated not only for his musicianship, but also for his larger-than-life persona and engaging stage presence. Enos chose to collaborate with Amit Peled not only because of the cellist’s virtuosity, but because he brings to his performances the authenticity, raw emotion, and diverse cultural inspirations that Enos himself values, and that have become the festival’s trademark. The details of the upcoming concert will be a surprise, but the caliber will not.

A complete program listing for the 2022 season is available at http://www.meetinghousemusic.org.

The festival’s Artistic Director and pianist Donald Enos welcomes all to experience the Meeting House Chamber Music Festival this summer. In his words, the festival offers “the delight of hearing exquisite instrumental nuance in ensemble, and the full range of exposed emotion made possible through chamber music.”

The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.

Comments (0)

Hot New Musical "Lily the Tiger" to Rock Cotuit on Tuesday, June 28!

On Tuesday, June 28, at 7:30 pm, a “campfire version” of Dana McCoy’s rock musical Lily the Tiger will be presented in the outdoor theater of Cotuit Center for the Arts, Cotuit, MA. The show features McCoy’s original songs and a story filled with poignancy and humor as “Lily” navigates a parade of catastrophes. McCoy will bring to the performance a plethora of New York talent including notable rock musicians Albert Bouchard of Blue Oyster Cult, Alec Morton of Raging Slab and Monster Magnet, and Mike Fornatale of The Losers’ Lounge NYC, Dot Wiggin Band and The Left Banke. The audience will be treated to a peek at the new musical’s stories and songs in advance of McCoy’s UK tour and the show’s New York launch later this year. Tickets are $35; $30 for Cotuit Center members; $33 for seniors and veterans. Ticketing and additional information: https://artsonthecape.org/explore/lily-the-tiger.

Lily the Tiger took its first steps onto the stage at New York’s historic Theatre 80 on May 31, 2022 in a reading for invited guests, including producers and potential investors. Hit Broadway performer, writer, and director, Gretchen Cryer of I’m Getting My Act Together and Taking It On The Road fame is helping to shape and direct Lily The Tiger, which also features marvelous dramatic coaching from Marcia Haufrecht of the Actor’s Studio. The show’s developmental producer is Janet Murphy Robertson of ArtistsAndMusicians.org. In early July, McCoy will set off on a UK tour performing selected songs from the evolving show.

A part-time local resident, Dana McCoy is delighted to share her latest creative work here on the Cape as she continues its development. Increasingly well known to Cape audiences, McCoy was actor, story-writer, composer, and co-director for A Woman’s Heart, based on the poetry of Judith Partelow, in 2019. In addition to her original score, the play featured songs composed and sung by McCoy. The Cape Cod Times’ features editor Gwenn Friss said of McCoy’s portrayal of a woman raising her children as she deals with a depressed and abusive husband, “Watching how she pulls off a lightness of being for her child is like seeing a Disney princess cast in a Quentin Tarantino movie.”

Dana McCoy’s professional accomplishments fill the gamut of performing arts—from dance and instrumental music to voice and theater performance, on stage, on film, and in video. McCoy and her music compositions have been heard in venues throughout the U.S., including CBGB’s, The Ritz, and Lincoln Center, as well as in Europe and the U.K. Her hit songs have been performed by such noted groups as Inner City, Degrees of Motion, and Left Field. She produced and performed “88 Butterfly, Taking Shape, a solo CD designated by Billboard editors as one of the best albums of the year. McCoy’s work on stage also includes her original rock musical "Prom Queens" co-written with Jennifer Schanke and Christina Cass. She workshopped the musical at Arnold Engelman’s Westbeth Entertainment in New York, a performance venue known for presenting bold new works from the likes of Stephen Colbert, Patti LuPone, and Sandra Bernhardt—and at Don Hill’s, a SoHo club at the heart of the New York rock scene. The musical was showcased off-Broadway and at Crown & Anchor’s Paramount Room in Provincetown, MA. McCoy played the lead role of Daisey and provided lead and background vocals and dance.

She also originated the starring role of Ingrid in Richard Caliban’s MoM: A Rock Concert Musical,winner of Outstanding Musical at the New York International Fringe Festival in 2008. The musical was selected as part of the Fringe Benefits Anniversary Series and was named one of the Fringe’s best 15 musical in 15 years. Reviewers at numerous publications, including The New York Times and Broadway World cited McCoy’s outstanding work. New York Times theater critic Anita Gates wrote, “(McCoy’s character) Ingrid is the interesting one. She begins as a trophy-wife type with a French twist, goes through an entertaining Patsy Stone of “Ab Fab” phase and ends up as Janis Joplin.” TalkinBroadway.com saluted McCoy for her charisma in the role, as well as her work on keyboards, bass, and percussion.

Dana McCoy has performed regularly at Joe McGinty’s Loser's Lounge, sharing the stage with former Saturday Night Live cast member Fred Armisen, cabaret artist Justin Vivian Bond, and other notables. She later founded and hosted Life Café NYC’s Naked Music Series which provided more than 300 gigs for well- and lesser-known musicians. She is an active performer and producer with New York’s Ukelele Cabaret.

McCoy worked with Gretchen Cryer, Evelyn Page, and Lesley Gore as founder, producer, and performer in Pillow Fight Theatre Festival: Hot Chicks of Substance" at 45 Bleecker in 2007. She wrote, performed, and produced her rock musical Cube Rat which tells the story of a superstar stuck in a cubicle. The musical was workshopped at New York’s SIR studios, the Green Room, and the Pillowfight Theater Festival and was presented at the Edinburgh Film Festival in 2011. Colin Quinn of Saturday Night Live called the musical “amazing.” Reviewers at the Fringe said of the work that “it fascinates, thrills and the songs are rhythmic, original and catchy. Beautiful sounds and ideas from a beautiful person.” The musical was included in the York Shakespeare Company's 10th Season.

Meeting House Chamber Music Festival to Open June 20!

THE MEETING HOUSE CHAMBER MUSIC FESTIVAL to Open in Orleans, MA, on Monday June 20!

Meeting House Chamber Music Festival

Cape Cod's longest-running music festival will be

performing "live" in Orleans starting June 20!

More information at

MEETING HOUSE CHAMBER MUSIC FESTIVAL WEBSITE

And here is a taste of the beauty and excitement

found in every Meeting House Chamber Music Festival concert!

Dramatists Guild to Present Reading of Lee Roscoe's Gripping Play "Dark"

Playwright Lee Roscoe is on a roll! Following quickly on the presentation of her play "No School" at Eventide's Playwrights' Lab last month, Roscoe will be in the spotlight again at a Dramatists Guild event on Friday, March 12, 7 pm. In her gripping play "Dark," Gaia confronts politicians, is arrested as a terrorist and ends the earth. Or is this mysterious woman merely claiming to be Earth as she attempts to tackle corruption?

More information

Pamela and David Purdy Commemorate Trayvon Martin and the Black Lives Matter Movement

"Eight years ago today, February 26, 2012, Trayvon Martin was killed— Hunted and stalked by George Zimmerman and shot.Trayvon was carrying a soft drink and a bag of Skittles. Trayvon fought for his life, yet Zimmerman was given a 'not guilty' verdict for 'self-defense.' This began the Black Lives Matter movement."—Pamela Chatterton-Purdy

Since 2004, Artist Pamela Chatterton-Purdy and Rev. Dr. David Purdy, writer and retired Methodist minister, have been working to create an artistic and scholarly record of the ongoing movement of Black people in America for freedom and equality under the law. Their magnificent art exhibition is titled Icons of the Civil Rights Movement. The piece at left, commemorating Trayvon Martin and the Black Lives Matter movement, is one of 46 works in the series. You can see all of the works to date here.

Comments (0)

IMPOSSIBLE? by Lee Roscoe Draws 900+ Viewers to Eventide's Virtual Playhouse

Theaters across the country are struggling to produce quality events in a new and challenging technical and logistical environment. And so it was at Eventide Theatre Company on the weekend of October 24 and 25. Notwithstanding the difficulties, Lee Roscoe's terrific and timely play about the rise of an autocratic regime in America drew more that 700 attendees to Eventide's Virtual Theatre. Audience response was overwhelmingly positive—a credit to the excellent cast, director Chris Edwards, and the support of the Massachusetts Cultural Council—Dennis and Brewster, MA.

“It was wonderful! Very unique, extremely well acted, loved the ‘virtual staging’ and the interplay between one actor/scene and the next, really added a very almost Brechtian mood to the production…Your story line & dialogue so well done…We’ll be donating & hope the theater project can keep on….This online theatre feels like a new valuable addition to the way productions can be done. Great work by all…(only thing that I would suggest that interfered with the flow for me were the ‘names’ that kept coming on (at least my) screen, found it confusing & distracting…hopefully that can be ‘tweeked’ out in future presentations?)” —Falmouth activist, well known painter

More comments about the play

Comments (0)

BLACK LIVES MATTER Events on Cape Cod Today, June 6

Harwich; Saturday, June 6, 2020 @ 2 pm. Event to begin at Brooks Park (Main St. at Oak St.). Parade to follow. Please see this link to RSVP and view full details: RSVP

Provincetown; Saturday, June 6, 2020 @ 12 pm. Event to begin at the Provincetown town hall. This event is a silent vigil.

Comments (0)

Chatham Chorale Performs at Cape Cod Museum of Art

On Sunday, January 26, at 3:00 pm, the Chamber Singers of the Chatham Chorale appeared at the Cape Cod Museum of Art in Dennis as part of the museum’s “Music & More! concert series. The string players of Quartett Giocosa and Cape Symphony keyboardist Donald Enos joined the singers in an intimate program of choral music. Repertoire ranged from the 16^th century (Palestrina) to the late 20^th century (Eric Whitacre’s “Five Hebrew Love Songs” and “Ecce Novum” by Ola Gjeilo), and included selections from Haydn’s “Little Organ Mass” and seasonal works.

The Chatham Chorale Chamber Singers. Photo by Bob Tucker/Focal Point

Chatham Chorale is one of Cape Cod’s longest-established choral ensembles, for 49 years presenting an annual concert series with programs ranging from choral masterworks to Broadway, pops stylings, and premieres of new works by regional composers. The Chorale also regularly collaborates with the Cape Symphony—for example, in the annual Holiday Pops concerts—and sings in service to the community.

In 1976 the Chatham Chorale Chamber Singers, a smaller chorus composed of approximately 25 voices selected from the larger Chorale, was created to perform music written for smaller ensembles in more intimate spaces.

For more information, visit www.chathamchorale.org.

Comments (0)

Chatham Chorale Presents "A Candlelight Christmas"

Comments (0)

Chatham Chorale and Friends Sing "Ode to Music"

A clip from this outstanding concert featuring soprano Joan Kirchner, performed in Chatham, MA on November 9-10: Handel's Ode for St. Cecilia's Day.

"What passion cannot Music raise and quell!” mused the poet John Dryden.

This November, Music Director Joe Marchio led the Chatham Chorale, with guest soloists and chamber ensemble, in an “Ode to Music” and all its delights, at the First Methodist Church in Chatham.

Featured in the program was George Frideric Handel’s “Ode for Saint Cecilia’s Day,” in which the chorus and vocal soloists take turns praising the harmony that tunes all of Creation. Tenor Charles Blandy, soprano Joan Kirchner, and the Quartett Giocosa joined the singers in Handel’s cantata, composed in just ten days in 1739. Cecilia is the patron saint of music, and the text by John Dryden celebrates the “harmony of the spheres”—the theory that music was a force in Earth’s creation. Verses depict the role of various instruments: violins, flute, organ, and others. Some of the musical “tone painting” suggests primordial chaos, or atoms arranging themselves in order, the warlike qualities of the trumpet, or the mythical harp of Orpheus.

Charles Blandy (credit Miranda Loud)

Charles Blandy is a much-heralded tenor based in Boston, specializing in music of the Baroque and praised by the Globe as “unfailingly, tirelessl lyrical.” Joan Kirchner, a frequent soloist with the Chorale, performs in a variety of styles regionally and on the Cape, and teaches voice at her Brewster studio. The instrumentalists of Quartett Giocosa—Heather Goodchild Wade and Irina Fainkichen (violins), Irina Naryshkova (viola), and cellist Elizabeth Schultze—met in the Cape Symphony and have performed as a quartet since 2017.

Marchio has frequently programmed the masses of Franz Joseph Haydn, and the Missa brevis Sancti Joannis de Deo is a favorite. Performed as originally scored, for choir, organ, and a small string ensemble, this short Mass is “elegant and expressive, with a beautiful sense of mysticism,” says the conductor. Haydn layers the words of the Gloria and Credo in different vocal lines, which helps keep the piece “short”! The longest movement (“Benedictus”) is a gorgeous dialogue for soprano Joan Kirchner and organist Donald Enos, the Chorale’s longtime accompanist.

Joan Kirchner (credit Janet Murphy Robertson)

Kirchner takes center stage to perform Franz Schubert’s beloved lied “An die Musik” (“To Music”), accompanied by Enos on piano. Its sweeping melodic line and poetic devotion to musical art have made the song a favorite of musicians since Schubert wrote it in 1817.

The great Victorian choral composer Charles Villiers Stanford created his energetic “Te Deum laudamus” in B flat as part of a complete church service marking the 60^th anniversary of Queen Victoria’s reign. One reviewer called it “a major milestone in the development of Anglican church music . . . harnessing Brahmsian symphonic technique to the needs of the liturgy.” Notes Marchio, “It’s never been recorded and is rarely performed, but it’s a riveting example of Stanford’s work and perfect for this concert highlighting the chorus, organ, and small orchestra.”

Chatham Chorale is one of Cape Cod’s longest-established choral ensembles, for 49 years presenting an annual concert series with programs ranging from choral masterworks to Broadway, pops stylings, and premieres of new works by regional composers. The Chorale also regularly collaborates with the Cape Symphony—for example, in the upcoming Holiday Pops concerts—and sings in service to the community.

Comments (0)

"Halloween Unhinged" at the South Harwich Meetinghouse on Saturday, October 26

On Saturday, October 26, at 7:30pm: "Halloween Unhinged" will be performed at the South Harwich Meetinghouse, 270 Chatham Road, South Harwich. Soprano Joan Kirchner will join a haunted host of performers presenting pumpkin carols and other songs of the season.

Tickets $20 in advance; info at southharwichmeetinghouse.com.

Comments (0)

A Brilliant New Production of A WOMAN'S HEART at Cotuit Center for the Arts, September 12-29!

Actors (l-r) Rod Owens, Dana McCoy, and Judith Partelow

A Woman's Heart has been performed to sold-out audiences since it premiered at Cotuit Center for the Arts' Black Box Theater on September 12. For tickets, please call 508.428.0669 or visit the theater's website.

REVIEWS

The play feels "like an epic poem, wherein the minutiae of the everyday is elevated to Odysseus-like significance." It is "extremely personal and also universal." "The play feels honest and raw in its emotion but polished in its delivery." Joanne Briana-Gartner, The Enterprise The complete review

"A Woman's Heart is a passionate life in poetry." "Watching how (Dana McCoy) pulls off a lightness of being for her child is like seeing a Disney princess cast in a Quentin Tarantino movie." "Particularly impressive is (Rod Owens') ability to transform from besotted lover to angry, chain-smoking stroke victim, depending on the scene. His face is so malleable it could be made of wet clay, remade with each new emotion." Gwenn Friss, The Cape Cod Times The complete review

THE PLAY

With Judith Partelow’s original poetry as foundation, this new production weaves A Woman’s Heart’s beautiful language into a captivating tale of friendship, heartache, and triumph.

From the opening scenes, we see three close high school friends reconnecting at their 50^threunion to find their mutual impacts and inspirations have not only endured but also, ultimately, made all the difference in their respective lives.

Replete with life events and cultural references from the 1950s forward, A Woman’s Heart is at once a touching story bound to resonate with all (and especially baby boomers!) and a deft paean to the writer’s craft.

As well as a new story approach, the play is infused with music of the boomer era, plus original music written by McCoy, Owens, and Partelow’s daughter Amanda Sevak.

The show results from a collaboration between Partelow and McCoy—an award-winning New York-based playwright, director, actor, singer, songwriter, and dancer. The multi-talented duo has shaped Partelow’s beautiful writings into a compelling, music-filled journey through a writer’s life. A Woman’s Heart stars the collaborators themselves and actor/singer/songwriter Rod Owens.

This brilliant new production of A Woman’s Heart premiered at Cotuit Center for the Arts on Thursday, September 12 and will run through September 29 in the Black Box Theater. Performances are Thursday through Saturday at 7:30 PM, and Sundays at 2 PM. Tickets are $20, $15 for members. Cotuit Center for the Arts is at 4404 Route 28 in Cotuit.

About Judith Partelow
An award-winning writer, as well as Actors’ Equity actor and director, Partelow began writingpoetry when she was in third grade. Cape Cod journalist Caitlin Russell observed that Partelow has “a gift for taking heartbreaking subjects and shining a light on the pain, and the beauty and dignity born of struggling with it.” During its 2019 conference, the Cape Cod Writers Center recognized Partelow’s achievements with the Kevin V. Symmons Scholarship for Second Career Writers. In one of many rave reviews of earlier productions ofA Woman’s Heart, Kelley Brocco-Hagen wrote, “The play was FANTASTIC! Touched my heart profoundly! This needs major exposure!” Reviews of A Woman’s Heart---Earlier Versions of the Play

About Dana McCoy
McCoy brings to the collaboration a wealth of talent and experience in creating and honing stories and bringing them successfully to the stage. Among her many theater credits: “Cube Rat”—Writer/Performer/Producer, Edinburgh Fringe Festival and Off-Broadway (2011); “MoM: A Rock Concert Musical,” (Lead Cast Member/CoProducer) written by Richard Caliban, winner of Outstanding Musical at New York Fringe 2009 and selected as part of the Fringe Benefits Anniversary Series (2011) and The Almost Annual Festival (April 2013). As singer, songwriter, and instrumentalist, McCoy has topped Billboard charts and toured, directed, taught, and performed her own and other people’s original rock musicals internationally.

A Woman’s Heart is produced by Janet Murphy Robertson of ArtistsAndMusicians (ArtistsAndMusicians.org).

For more information about A Woman’s Heartat Cotuit Center for the Arts, visit www.artsonthecape.orgor call 508-428-0669.

VIDEOS

Co-directors and story-tellers Dana McCoy and Judith Partelow kibitz during a rehearsal. It's an extraordinary collaboration!

A New York couple came to see the play on opening night and share their enthusiasm here!

RADIO INTERVIEW

Candace Hammond interviewed director/story-tellers Dana McCoy and Judith Partelow and producer Janet Murphy Robertson about A Woman's Heart for her radio program on WOMR.

MORE INFORMATION (Earlier Productions of A Woman's Heart and Judith Partelow's poetry)

Note: A Woman’s Heart was originally performed by a cast of four and was essentially a sequence of touching vignettes with beautiful language, and without the story line, characters, and musical score of the current production.

Candace Hammond interviews Judith Partelow and Rod Owens on Arts Week: Interview at WOMR

The Cape Cod Times: Sue Mellen’s Review of A Woman’s Heart

Readers’ comments concerning Judith Partelow’s poetry.

Comments (1)

New Production of A WOMAN'S HEART to Open September 12

Chamber Music Festival's Season Finale: Monday, July 29

Katie Lansdale Donald Enos Megan Koch (1)

Katie Lansdale, Donald Enos, and Megan Koch

The season finale of the Meeting House Chamber Music Festival will be held on Monday, July 29, 7:30 pm at Church of the Holy Spirit in Orleans. Performing in this special celebratory concert will beKatie Lansdale, violin; Megan Koch, cello; and Donald Enos, piano. Tickets can be purchased at the door or reserved in advance by phone (508.896.3344) or email ([email protected]). Tickets: $25 (under 18 free). More information at http://meetinghousemusic.org.

The typical Festival concert presents a series of treats, each with its unique style of expression, ideas, and cultural foundations. The season’s festive finale will serve up even more than the customary amount of delectable fare. A centerpiece of the program will be the Divertimento in D, Hob.XI:113 by Joseph Haydn (Austrian, 1732-1809)—as joyous and entertaining a piece of music as exists in the repertoire. Entirely different in mood and bursting with folk flavor are works for solo violin by Antonín Dvořák (Czech, 1841-1904). Another featured composer who, like Dvořák, mastered the violin in early childhood and went on to write soaring music for it, is Eugène-Auguste Ysaÿe(French-Belgian, 1858–1931). The passionate elegance of this “King of the Violin” comes through loud and clear in the “Les Furies” movement of his Violin Sonata No. 2.

And then there is the panache of AndréPrevin (b.1929), the German-American pianist and composer whose work has brought him four Academy Awards and eleven Grammys, including one for Lifetime Achievement. Previn wrote his beautiful Sonata for Cello and Piano for Yo-Yo Ma, and the piece was premiered by the world-renowned Chinese-American cellist in 1993. “Spring” from Astor Piazzolla’s The Four Seasons of Buenos Aires is fast, intense, and dramatic. Piazzolla (Argentine, 1921-1992) was the grand master of tango music and this piece is an exciting blend of traditional tango and classical and contemporary influences. Camille Saint-Saëns (French, 1835-1921) worked in many different styles and music formats during his long life, and chamber music was one of his early passions. His First Piano Trio is an exuberant, youthful, and at times even boisterous piece written when the composer was 28.

Three Superb Musicians Featured in Festival Concert

Donald Enos--Festival Founder, Artistic Director, Pianist

Three superb musicians performed in the Meeting House Chamber Music Festival’s fifth concert of the season on Monday, July 22 at Church of the Holy Spirit in Orleans.

Donald Enos founded Cape Cod’s longest-running music festival in 1973 and this concert put his remarkable musicianship and creative direction on full display. Mozart’s Trio K. 254 is written for piano, violin, and cello, and Enos played the most demanding and virtuosic part at the work’s center. He designed the program to include three additional trios with all the intensity and intimacy characteristic of chamber music and interesting back-stories to boot. In Arvo Pärt's “Mozart” Adagio, written in the 1990s, this contemporary Estonian composer creates a respectful and moving

Violinist Joyce Hammann

tribute to the Classical Period master of two centuries before. Maurice Ravel composed his Trio during World War I, just before he volunteered for military service. The piece has a traditional form with some fascinating twists, including a Basque dance and a second movement inspired by the Malaysian poetic form “Pantoum.” Franz Schubert’s radiant Trio Op. 99 was composed in the immensely prolific last year before his death in 1828 at the age of 31.

Cellist Matthias Naegele

Violinist Joyce Hammann and cellist Matthias Naegele completed this concert’s extraordinary trio of musicians. Hammann is a
performer lauded by The New York Times for her"splendid soloing" and "sweet, rich tone.” Naegele performs to enthusiastic audiences around the world and his performances are carried regularly by NPR and public television. Learn more about these artists and the festival itself at http://www.meetinghousemusic.org.

Next up will be the festival’s season finale on July 29 at Church of the Holy Spirit, 204 Monument Road, Orleans, MA.

Short clips from Meeting House Chamber Music Festival concerts earlier this season

Magnificent Trios from a Magnificent Trio, July 22

Schubert Trio in B Flat, Op. 99

Mozart Trio in B Flat

Dazzling violinist Irina Muresanu performing with festival founder/artistic director/pianist Donald Enos on July 1.

Bo Ericsson, Heather Goodchild Wade, and Donald Enos performing in West Barnstable, July 14. Violist Laura Manko Sahin also performed superbly in this concert.

Festival Presents Concerts in West Barnstable and Orleans on July 14 and 15

Photo by Nancy Viall Shoemaker

On Sunday and Monday, July 14 and 15, the Meeting House Chamber Music Festival will featured a quartet of superb musicians and several works that are among the finest in the entire repertoire of chamber music. Sunday’s concert was held at 7 pm at 1717 Meetinghouse in West Barnstable and Monday’s concert began at 7:30 pm at Church of the Holy Spirit in Orleans. More information about the festival can be found at http://meetinghousemusic.org.

One of the most brilliant lights amidst the program’s gems was the sublimely melodious A Major Piano Quartet from Johannes Brahms, which was premiered in Vienna in 1863 with Brahms himself at the piano. Also featured was Haydn’s Trio No.13 in A Major, whose piano part is particularly complex and exciting. The glorious “Summer” concerto from Vivaldi’s The Four Season, which was written in the very year construction began on the historic 1717 Meetinghouse, is a brilliant evocation of the season. In the Finale from the important Romantic composer Carl Maria von Weber’s Piano Quartet, one could hear the influence of Mozart, as well as the freer forms and lyrical quality of Weber’s later Romantic-style works.

And in true Donald Enos form, there were some surprises—glittering works that are lesser known but no less moving, such as Praeludiumby the Swedish Romantic composer Jakob Adolf Hägg. Rounding out the program was a charming piece called ABird Came Down the Walkfrom the largely self-taught, highly innovative Twentieth-Century Japanese composer Tōru Takemitsu. With a poem by Emily Dickinson as its jumping-off point, Takemitsu’s music mirrors the poet’s open-mindedness, economy of language, and inspiration from nature.

The outstanding musicians performing in this concert were Heather Goodchild Wade, violin; Laura Manko Sahin, viola; Bo Ericsson, cello; and Donald Enos, piano. Biographies and additional information about the festival can be found at http://www.meetinghousemusic.org.

The festival continues with performances on Mondays through the end of July (July 22 and 29) at Church of the Holy Spirit, 204 Monument Road, Orleans, MA. On Sunday, July 14, the festival travels to 1717 Meetinghouse, 2049 Meetinghouse Way, West Barnstable, MA (same program as July 15).

Elizabeth Remy Johnson and Clark Matthews Headlined Festival Concert July 8

Elizabeth Remy Johnson

On Monday, July 8 at 7:30 pm, two highly popular guest artists performed with Donald Enos and the Meeting House Chamber Music Festival: Elisabeth Remy Johnson, harp, and Clark Matthews, French horn. The concert was held at Church of the Holy Spirit in Orleans, MA. More information about the festival can be found at http://meetinghousemusic.org.

Elisabeth Remy Johnson is one of the most celebrated of Cape Cod’s native-born musicians. She holds the endowed Delta Air Lines Chair with the Atlanta Symphony—the orchestra that snapped her up immediately upon her graduation Phi Beta Kappa from Harvard. Matthews performs as principal hornist with the Cape Symphony, as well as the Indian Hill Symphony Orchestra and Discovery Ensemble.

In this third concert of the season, Enos pulled out all the stops as he continues his exploration of the finest chamber music from around the globe. The audience was treated to the dramatic beauty of the ballet music from Romeo and Juliet, the light playfulness of a scherzo for French horn, and a panoply of melody and moods in between. And with characteristic creativity, Enos paired harp, horn, and piano—spotlighting the instruments both individually and together—in a program that reaches technical and expressive heights through works of many styles and periods.

Remy Johnson is a fan of ballet in general and Sergei Prokofiev (1891-1953) in particular. Performed with Donald Enos, her rendition of Prokofiev’s Romeo and Juliet was a stand-out piece in the superb program. Composed in 1935 and based on Shakespeare’s play about star-crossed lovers across a social divide, the ballet’s premiere was delayed by five years due to political squabbles concerning its interpretation.

Dutch composer and conductor Jan Koetsier (1911-2006) was featured in the program with two pieces: Sonata Op.94 for harp and horn

Clark Matthews

and Scherzo Brillante Op.96 for horn and piano.Koetsier was a piano prodigy who developed a passion for brass and created many highly original compositions revered by brass fans for their fresh, conversational character. John Williams (b. 1932)—distinguished American composer of classical music as well as countless magnificent film scores—was represented in the program with his Horn Concerto. Williams himself described this work, which premiered in 2003, as a symphonic poem exploring a variety of colors and moods.The harp gem Whirlwindby the French harpist and composer Carlos Salzedo (1885-1961) illustrates well why Salzedo is credited with making the harp into a virtuoso instrument.

Turning back to earlier periods, Prelude, Theme and Variationsby Gioacchino Rossini (1792-1868) gave witness to the spirited and technically-demanding best of the Classical style. The earliest piece in the program was the Concerto in C by Johann Sebastian Bach (1685-1750), which was originally scored for two harpsichords—the go-to instrument of the Baroque period. And rounding out the concert’s global voyage was Concerto No.1 in C by Antonio Soler (1729-1783), a Spanish Catalan priest and astonishingly prolific composer of more than 500 works.

The festival continues with performances on Mondays throughout July (July 15, 22, and 29) at Church of the Holy Spirit, 204 Monument Road, Orleans, MA. On Sunday, July 14, the festival travels to 1717 Meetinghouse, 2049 Meetinghouse Way, West Barnstable, MA (same program as July 15).

Cellist Amit Peled and His New Vernon Virtuosi Open Chamber Music Festival

Cellist Amit Peled.

Photo credit: Melissa Golden

On Monday, June 10, Donald Enos launched the 46th season of the Meeting House Chamber Music Festival in collaboration with one of the most brilliant and colorful figures on the global music stage today, Grammy-nominated conductor, cellist, and pedagogue Amit Peled. The season premiere featured works by Tchaikovsky, Stutchewsky, and Mozart.

Amit Peled is no stranger to fans of the Meeting House Chamber Music Festival. Enos spotted the young Israeli-American cellist more than a dozen years ago, not long after Peled moved to the US to assume his teaching position at Johns Hopkins University’s Peabody Conservatory. Peled brings to the June 10 event his profound musicianship and larger-than-life personality and, adding to the usual high level of excitement, Peled will also conduct the Mount Vernon Virtuosi, the orchestra he founded to be an important platform for young performers.

On Monday, July 1, another virtuoso—violinist Irina Muresanu, whom critics have acclaimed as “dazzling” and “spellbinding” will headline a program that also exemplifies the cultural diversity of the festival.

Violinist Irina Muresanu

The offerings will range from folk airs from Muresanu’s native Romania to the lush artistry of French composer Gabriel Fauré.

And on each Monday through July 29, the festival will continue its presentation of traditional and contemporary repertoire from around the world performed by top-flight international and regional talent. Artists this year will include Elisabeth Remy Johnson, Clark Matthews, Heather Goodchild Wade, Laura Manko Sahin, Bo Ericsson, Joyce Hammann, Matthias Naegele, Katie Lansdale, and Megan Koch. A complete season listing is available here or visit Meeting House Chamber Music Festival

Donald Enos, the festival’s founder, artistic director, and pianist, welcomes all to experience the great music he has in store for this summer. In his words, the festival offers “live music that everyone can love—music that emerges naturally almost like a conversation among musicians, expressing raw, authentic human emotion. Join us and see why chamber music is known as the ‘music of friends!’”

The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.

Concerts are held at 7:30 pm on Monday evenings at Church of the Holy Spirit in Orleans. The Monday, July 15, program will also be presented at 7 pm on Sunday, July 14, at 1717 Meetinghouse in West Barnstable.

A WOMAN'S HEART Wins Kudos at W.H.A.T.

Judith Partelow’s acclaimed new play A Woman’s Heart moved on to Wellfleet Harbor Actors Theater on May 10-12 following four successful prior runs elsewhere on the Cape. The play explores a woman’s emotional life as she faces the challenges of child-rearing, career, love, and loss. Alternately romantic, gutsy, self-doubting, and serene, A Woman’s Heart carries a richly detailed narrative thread—beginning in the 1950s and ‘60s and running through to the present day. Life events and cultural references will likely resonate particularly with any baby boomer.

Critics have praised A Woman’s Heart’s captivating poetic language, its strong emotional appeal, and its innovative approach to casting. Three female actors represent the story’s heroine at different stages of her journey, and a single male actor assumes multiple roles. The actors are Lee Roscoe, Rod Owens, and Dana McCoy, and the playwright herself. The play is directed as well by the multi-talented Partelow and produced by Janet Murphy Robertson of ArtistsAndMusicians.org.

Partelow’s work has been met with enthusiasm by general audiences, the theater community, and academics. During its recent conference, the Cape Cod Writers Center awarded Partelow the 2018 Kevin V. Symmons Scholarship for Second Career Writers. James Kershner, Communications Professor, Cape Cod Community College, wrote of A Woman’s Heart, "I loved it! Deep, powerful, and entertaining." Actor Rod Owens facilitated a course titled A WOMAN'S HEART:POETRY-INTO-PLAY in the spring 2018 as part of the college’s Academy for Lifelong Learning series. Author Catherine Kelly-Mahon attended the course and observed, “Shakespeare gave us the Ages of Man; Partelow now gives us the Ages of Women. A Woman's Heart is the truth of human experience expressed in beautiful poetry." You can read more reviews of the play here: Reviews of A Woman’s Heart

The play premiered at the Jacob Sears Library Theater in May 2017 and went on to additional successful runs at the Cape Cod Museum of Art, the Women’s International Theater Festival in Provincetown, and the Cultural Center of Cape Cod.

MORE INFORMATION

Candace Hammond interviews Judith Partelow and Rod Owens on Arts Week: Interview at WOMR

The Cape Cod Times: Sue Mellen’s Review of A Woman's Heart

Readers' comments concerning Judith Partelow's poetry.

Rehearsal photos

Andrea Baker's SING SISTAH SING! to Rock Cotuit Again on Sunday, April 28, 2 pm

On Sunday, April 28 at 2 pm, Cotuit Center for the Arts will present Sing Sistah Sing!—an award-winning celebration of the sound and extraordinary breadth of African American female voices over the centuries. Conceived and performed by internationally acclaimed mezzo-soprano Andrea Baker, the show celebrates such musical greats as Leontyne Price, Marian Anderson, Donna Summer, Nina Simone, and Billie Holiday. Sing Sistah Sing! uniquely features traditional storytelling and music ranging from African American field songs to spirituals, gospel, jazz, blues, and opera.

Tickets $50, $40 for balcony seating. Discounts: $5 for members, $2 for seniors/veterans. Ms. Baker’s acclaimed new solo CD will be available for sale at the event.

In this dazzling show, Andrea Baker will evoke the pantheon of African American vocalists and their brave struggles for civil rights and artistic freedom. Whether they chose jazz, pop, or opera to express their inner truth, these women all carried in their souls and voices the sounds of their ancestors’ songs of the plantation. Only a highly-trained and soulful vocalist like Andrea Baker could contemplate such a demanding program, drawing as it does on sublime musicality, a profound connection with American history, and direct personal experience. Ms. Baker’s own great-grandfather Thomas Nelson Baker, Sr. was born into slavery, made his way to Massachusetts, and became the first African American to receive a Ph.D. in philosophy from Yale University. The long-time minister of the Second Congregational Church in Pittsfield, MA, he lent inspiration for Sing Sistah Sing! via an essay he wrote in 1908, titled “The Negro Melodies.”

Sing Sistah Sing! has been performed to rave reviews in Europe and was spotlighted in “The Best of the Fringe” in Edinburgh’s prestigious Fringe Festival. The show’s sensational American debut was held at Cotuit in June 2018 as a benefit for Zion Union Heritage Museum.

Andrea Baker’s 2019 tour opened in San Francisco on April 7 and will include stops at Arizona State University and Tennessee King Institute before arriving at Cotuit on April 28. Throughout the tour, Ms. Baker’s US fans will also be treated to the rollicking piano mastery of Peter Maleitzke, a popular and multi-talented San Francisco-based artist (bio attached).

Websites:http://www.singsistahsing.com; http://www.andreabaker.org

Video links: https://vimeo.com/292672581;https://vimeo.com/227806238;https://vimeo.com/268377731;https://soundcloud.com/andrea-baker-mezzo/sets/tuscaloosa-bbc-radio-scotland

http://www.facebook.com/SingSistahSing/

https://twitter.com/ABakerMezzo