The Meeting House Chamber Music Festival proudly announces the concluding two concerts of its remarkable 50th Anniversary Season. The performances will be held at 7:30 PM on Monday, July 15, and Monday, July 22, at the Church of the Holy Spirit, Episcopal, in Orleans, MA. Tickets are $25 at the door, and attendees under 18 are admitted free.
The penultimate concert on Monday, July 15, features a diverse program presented by distinguished musicians Elisabeth Remy Johnson on harp, Clark Matthews on horn, and Donald Enos on piano. Ms. Remy Johnson, a Cape Cod native and the principal harpist of the Atlanta Symphony Orchestra, joins Clark Matthews, the principal hornist of the Cape Symphony, and the festival’s founder, artistic director, and pianist Donald Enos.
**Program Highlights:**
- Ferdinand Ries – Horn Sonata, Op.34 (mvmt. I)
- Antonio Soler – Concerto #1 in C Major (harp & piano)
- Johannes H.E. Koch – Toccata (1982) (harp & piano)
- Koetsier – Sonata Op.94 (horn & harp)
- Jean-Michel Damase – Sonata (1964) (mvmt. III Presto) (harp & piano)
- Mel Bonis – Melisande & Desdamona (solo harp)
- Tasha Smith Godinez – El Amonecer (solo harp)
- Clarice Assad – Solais (solo harp)
- Salzedo – Whirlwind (solo harp)
- Scriabin – Romance (horn & piano)
- Vaclav Nelhybel – Scherzo Concertante (horn & piano)
- Eric Ewazen – Sonata (1992) (mvmt. I & IV) (horn & piano)
This program showcases an exhilarating range of musical styles and periods, from the classical elegance of Ferdinand Ries to the vibrant modernity of Clarice Assad. The inclusion of works by Mel Bonis and Johannes H.E. Koch highlights the festival's commitment to presenting diverse and captivating repertoire, ensuring yet another triumph for Cape Cod’s longest-running music festival.
The season finale on Monday, July 22 will feature celebrated festival performers Katie Lansdale on violin, Matthias Naegele on cello, and Donald Enos on piano. The program's dynamic character, creativity, and artistic diversity make it a fitting conclusion to the festival’s milestone season.
**Program Highlights:**
- Beethoven – Trio in E Flat Major, Op.1#1
- Germaine Tailleferre – Trio (1978) (mvmt. III & IV)
- Heinrich von Herzogenberg – Trio #2 in D minor, Op.36 (mvmt. III)
- Gaspar Cassado – Trio (mvmt. I & III)
This finale celebrates the artistry of Donald Enos, the festival’s founder and artistic director, and features works that span the classical and modern eras, embodying the festival's tradition of excellence and innovation.
The Meeting House Chamber Festival is grateful for the support of the
Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.
Join us in celebrating this momentous season at the Church of the Holy Spirit, Episcopal, Orleans, MA. For more information, visit [http://www.meetinghousemusic.org}
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**About Meeting House Chamber Music Festival**
The Meeting House Chamber Music Festival, established in 1973, has been a cornerstone of the Cape Cod cultural scene, bringing world-class musicians and diverse repertoire to the community for fifty years. The festival is committed to fostering a deep appreciation for chamber music through its annual concert series.
As the Meeting House Chamber Music Festival’s 50th Anniversary Season continues, we are delighted to invite Cape Cod residents and vacationers to two extraordinary concerts following the July 4th holiday. The concerts will be held at 7:30 PM on Friday, July 5 and on Monday, July 8 at the Church of the Holy Spirit, Episcopal in Orleans, MA.
Friday, July 5: Renowned cellist Amit Peled and the festival’s Founder, Artistic Director, and Pianist Donald Enos will present a quintessential example of romantic chamber music Edvard Grieg’s Sonata for cello & piano, Op.36. This will be followed, in marked contrast, by Friedrich Gulda’s Cello Concerto with its eclecticism, surprise elements, and thoroughly modernist approach.
Monday, July 8: A superb ensemble featuring Joyce Hammann (violin), Danielle Farina (viola), Megan Koch (cello), Jeffrey Carney (double bass), and Donald Enos (piano) will perform yet another diverse and captivating program:
William Walton – Piano Quartet
Nino Rota – Intermezzo (viola & piano)
Rebecca Clarke – Midsummer Moon (violin & piano)
Franz Schubert – “Trout” Quintet
Tickets for the 6-concert series are available for $90, with single concert tickets available at the door for $25. Youth under 18 can attend free of charge. For more ticketing and program information, please visit Meeting House Chamber Music Festival.
The festival continues on Mondays July 15 and 22, featuring more world-class musicians and exciting programs of classical and contemporary chamber music.
Join us for these exceptional performances and celebrate five decades of musical excellence with the Meeting House Chamber Music Festival.
About Meeting House Chamber Music Festival: The Meeting House Chamber Music Festival is dedicated to bringing high-quality chamber music to the Cape Cod community and visitors. Over the past 50 years, the festival has become a cultural cornerstone, known for its diverse programming and distinguished performers.
The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.
***
Following its spectacular season premiere last weekend, the Meeting House Chamber Music Festival will present another dazzler on Monday, June 24, 7:30 PM, Church of the Joly Spirit Episcopal, Orleans. The exciting and varied program will feature guest artists Heather Goodchild Wade-violin; Laura Manko Sahin-viola; and Leland Ko-cello performing with the festival’s Founder and Artistic Director Donald Enos-piano. Tickets only $25 at the door. More ticketing and other info at http://www.meetinghousemusic.org.
THE PROGRAM
Mozart Trio K.502
Mark O’Connor – Appalachia Waltz (solo cello)
Bach – Courante from Suite #1 (solo cello) Rizgar Ismael – Piece for solo viola
Brahms – Quartet in A Major, Op.26 (mvmt. IV) Schumann – Quartet, Op.47
Here is the final line-up for the 50th Anniversary season of the Meeting House Chamber Music Festival! Join us!
To purchase your season tickets (only $90 for 6 fantastic concerts!):
Make check payable to Meeting House Chamber Music Festival and mail to:
Meeting House Festival c/o Tom Dewing 16 Packet Landing Orleans, MA 02653 Or call 508.896.3344
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"...a must-read for any woman who has lived and loved. Her voice will sound as familiar as your own with its yearnings, triumphs, regrets and humor—a voice that speaks from the “inside out” about a woman’s life today."—Nancy Rubin Stuart, author of Poor Richard's Women and Deborah Read Franklin and the Other Women Behind the Founding Father
PASSION & PROVOCATION—Selected Poems by Judith Partelow is now available for readers everywhere! Recently released by Atmosphere Press, this noteworthy collection of Judith Partelow's poetry includes selections from her previous two chapbooks, plus many new poems. The book is available for purchase on Amazon and at numerous other locations.
BUY Passion & Provocation NOW!
$18.99 219 pages
For more information, updates and events, please visit Judith Partelow's website.
Passion & Provocation is an invitation to explore the many colors of Judith Partelow’s poetry; a tapestry of threads woven through tender longings and joyful celebrations of love, friendships, marriages, family bonds, the soul, and other themes of a life well lived. Critics have raved!
“It is rare indeed that I find a poetry collection so relevant to life with emotions that are captured with such passion and clarity. This is a treasury of life experiences. Here are poems for the people, written from the heart, reflections of deep sorrow and joy engraved in one’s soul. As one reads through this, it recalls pivotal times in one’s own experience. It covers the spectrum of a lifetime – from the beginnings, through first love, motherhood, family, loss, longings, the spark of renewed love; through the fear and vulnerability of losing oneself to another, rebuilding love and recognizing spiritual bonds. These vignettes, a distillation of passion and pain, trigger one’s own experiences from the well of the subconscious. Judith Partelow speaks from the heart and shines a light into the soul. She captures the fragility of life. She conveys complex emotional experiences with clarity and makes poetry accessible even to the uninitiated. This collection is truly a treasure."—Lily Poritz Miller, Editor at The Macmillan Company and McGraw-Hill, and senior editor at McClelland and Stewart for eighteen years.
"...they (Judith Partelow's poems) are very powerful and enormously intimate in that strange way when something the author feels is also felt by the reader. I felt a punch to the gut a couple of times when I had a wince of recognition - 'this very thing has happened to me!' I find in these poems a lot of strength but also a lot of vulnerability, with flashes of humor and moments of compassion."—Bill Falcetano
“With this collection of selected poems, Partelow has taken the threads of woman’s existence and woven them into a vivid tapestry of a life richly lived, poetry that is poignant and passionate, revealing and brave."—Anne LeClaire, author of Listening Below the Noise, The Halo Effect, and Entering Normal
"Passion & Provocation is a rich compilation of poems about the many phases of womanhood. Partelow uses musical language that sings her emotion: “Tropical ma-an/pulsates to a calypso beat.” In a tender moment, the author ponders the life of a mother: “an endless tune/we dance to all our lives.” She chronicles past relationships, old loves and new, while drawing the reader in with sensual images that celebrate her children and her own younger self. These are poems to savor for their astonishing beauty and contemplative vision."—Robin Smith-Johnson, Author, Dream of the Antique Dealer’s Daughter and Gale Warnings
THE AUTHOR Judith Partelow is a playwright, journalist, reviewer, theatre/ film actress, director and former teacher of drama and English. As a professional actress, she has also read and recorded poetry of Toby Olson and all of Richard Wainwright’s children’s books. She created two chapbooks of her work: A Woman’s Heart and Carry Me Back, A Woman’s Life in Poetry. She’s developed a play from her poetry, also titled A Woman’s Heart, and in collaboration with others, another play called NEIGHBORS! addressing racism. She is featured in several cable TV interviews and poetry readings online. She lives on Cape Cod with her husband, Thom Slayter. |
Back from this film's New York premiere at the prestigious Chelsea Film Festival, we are planning a series of screenings in 2024 to honor Martin Luther King, Jr. near the time of his birthday and, shortly thereafter, Black History Month. Here is what's in the queue as of today!
Sturgis Library, Barnstable, MA, Wednesday, January 17, 12 Noon. Screening of Journeys in the Light —Democracy, Diversity, and Myth in the Wake of the Mayflower in this beautiful, history library.
Cotuit Center for the Arts, Sunday, February 4. A benefit for Zion Union Heritage Museum! Zion Union Heritage Museum with Cotuit Center for the Arts present Journeys in the Light —Democracy, Diversity, and Myth in the Wake of the Mayflower, which was featured in the 2023 Chelsea Film Festival. Join us for this fundraising event for the museum, in celebration of Black History Month. Enjoy light refreshments (with cash bar) and view the film, followed by an audience participation discussion with representatives of Zion Museum. Tickets $20.
JFK Museum, Hyannis. Screening of Journeys in the Light —Democracy, Diversity, and Myth in the Wake of the Mayflower. Sunday, February 24, 2 PM. Free admission.
Lily the Tiger
Starring DANA MCCOY
Coaching and Direction
GRETCHEN CRYER
MARCIA HAUFRECHT
Development Producer
JANET MURPHY ROBERTSON
Sunday, November 12 @ 2 PM
United Solo Festival/NYC
(SOLD OUT)
Encore performance to be scheduled for the Spring 2024!
Stay Tuned for details!
"... and you want to attend in the worst way, but that’s a lot of money right now. Please let us know because I have some friends who are loaded and bought tickets, but can’t make it in from Timbuktu or wherever, and I want my fellow poor friends in my loaded friends' seats!!! So speak up, don’t let money stand in the way. And if you’ve got it, you’ll be giving me the gift I want most for my birthday; the chance for us all to laugh together."
OTHER GREAT NEWS! Lily the Tiger ALBUM!!!
Lily and her Tigers will be recording radio versions of the songs from Lily the Tiger in early December.
If you’d like to help offset recording/mastering costs, we’d love you forever.
You can pre-order your album here!
JOURNEYS IN THE LIGHT, Democracy, Diversity, and Myth in the Wake of the Mayflower premiered at the prestigious Chelsea Film Festival, October 12-15, Regal Theatres, Union Square, in the heart of New York City. The CFF is one of the top ten film festivals in North America according to USA Today's 2019 survey. Of the 131 films included in the festival from 20 countries around the world, Journeys was included as one of the “top picks” of the festival’s programmers!
This one-hour documentary presents a unique perspective on four centuries of history since the arrival of European settlers at Plymouth. The film’s creators look beyond the iconic Euro-centric Mayflower story to present highlights in the history of African Americans, Cape Verdeans, the Wampanoag people, and other people of color in the historic region of Cape Cod. At the same time, they find in the outright conflict aboard the Mayflower, the ultimate Mayflower Compact, and powerful precedents among indigenous tribes powerful relevance for the divided America of today. JOURNEYS IN THE LIGHT tells its tale through the eyes, historical research, and works of art of the vibrant community surrounding Zion Union Heritage Museum in Hyannis. Notable among the historical resources are the writings of long-time civil rights activist Dolores Daluz.
Leading up to the New York premiere, the documentary has had Cape Cod Chapter/NAACP-sponsored screenings at the Cape Cod Museum of Art in Dennis, MA, as well as in Falmouth and Provincetown, MA. In an August 2023 event in Staunton, VA, the NAACP (Staunton Branch #7119) was joined in its sponsorship by additional local organizations, including the Augusta County Historical Society, the Shenandoah Juneteenth Committee, and the Staunton Education Foundation.
JOURNEYS IN THE LIGHT is produced by Janet Murphy Robertson in collaboration with Zion Union Heritage Museum. The featured artists include Robin Joyce Miller, Carl Lopes, Pamela Chatterton Purdy, Joe Diggs, Michael Alfano, Sean Cassidy, Vasco Pires, and many others.
Janet Murphy Robertson
Janet Murphy Robertson is the documentarian for Zion Union Heritage Museum where, in addition to Journeys in the Light, she produced the 2018 film documenting Pamela Chatterton-Purdy and Rev. Dr. David A. Purdy’s magnificent art and historical exhibition Icons of the Civil Rights Movement. Janet is also Executive Director of ArtistsAndMusicians.org, the producer of Shoestring Virtual Theater, as well as stage plays, concerts, and other cultural events. Shoestring’s 2022 film shorts titled Four Plays for a Planet in Peril (Filmmaker: Janet Murphy Robertson; Writer/Director: Lee Roscoe) have been recognized by the LA Independent Shorts Awards and the Chelsea Film Festival where Part IV: The Warning had its New York premiere in October 2022. Janet works collaboratively with clients on the whole range of activities vital to successful productions— from photography, videography, sound effects, set design, editing, and scoring to marketing, PR, and business planning.
Janet's additional production credits include several highly successful runs of A Woman's Heart by Judith Partelow and the musical version by Judith Partelow and Dana McCoy; Three Viewings by Jeffrey Hatcher; Sorry Wrong Number by Lucille Fletcher; The House of Atreus: From Tantalus through the Trial of Orestes by Elsa Bastone; Mick Ryan's Lament by Robert Emmet Dunlap and Kathi Taylor, and many other plays and concerts.
Before coming to the Cape in 2007, Janet was a senior consultant with Coopers & Lybrand (later PriceWaterhouseCoopers), Vice President of two major international retail companies, and President of the consulting firm Ogden Associates. She earned her BA at Vassar College, where she majored in Philosophy, and did graduate work at Drew University and the University of Paris.
Robin Joyce Miller
Robin Joyce Miller, whose artwork is prominently featured in JOURNEYS IN THE LIGHT, frequently assists in presenting the film and joins in discussion with audiences. Robin is a retired educator, artist, author, poet and public speaker, who taught for 30+ years in the NYC school system. She spent the first half of her career teaching learning-disabled students and the next half as an art teacher. Robin was also a NYC Blueprint for the Arts Facilitator, leading workshops at the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum. She is a recipient of the NYC and NY State Region 8 Art Educator of the Year Award.
After retirement she and her husband have maintained two residences in NYC and Cape Cod. After George Floyd’s murder, Robin and her husband, James, began presenting a BLM series with the Cotuit Center for the Arts. These programs are available to the public on Cotuit on Demand - YouTube. She is also on the Board of Directors at the Cotuit Center. Robin has served as a volunteer and resident artist at the Zion Union Heritage Museum, Hyannis since 2013. You can view more of Robin’s work on www.robinjoycemillerart.com.
On Monday, July 24 at 7:30 PM, the Meeting House Chamber Music Festival will present a fitting cap to a season that has brought audience after audience to its feet throughout this 49th summer season. The season finale will feature chamber music gems from Telemann, Mozart, Shostakovich, Frank Bridge, and Benjamin Britten. All festival concerts are presented at Church of the Holy Spirit, Orleans. Tickets are $25 at the door (under 18 free). Additional festival information can be found at http://www.meetinghousemusic.org
Joining the festival's Artistic Director and pianist Donald Enos will be a perennial festival favorite, violinist Katie Lansdale, and violist Danielle Farina in her debut concert with the festival. They will perform Five Pieces for violin & viola by Shostakovich; Frank Bridge's Pensiero & Allegro Appassionato for viola and piano; Benjamin Britten’s Suite, op.6 for violin and piano; Telemann's Sonata Fantasia; and Mozart’s Sinfonia Concertante K. 364.
Violinist Katie Lansdale is a highly acclaimed soloist, chamber musician, and teacher who performs to enthusiastic audiences in the U.S. and internationally. She has given outstanding performances with many prestigious orchestras, including the National Symphony, the Baltimore Symphony, the Cleveland Chamber Symphony, the Austin Mozart Orchestra, and the New York Repertory Orchestra, as well as such concert series as the Phillips Collection, the Caramoor Series, and Lincoln Center’s Rose Room. In New York, where she founded the acclaimed Locrian new music group, Lansdale’s extensive chamber music concerts have included Mostly Mozart at Lincoln Center with Yo Yo Ma and Merkin Hall with the Twentieth Centuryists. She performs regularly in Carnegie Hall's Weill Hall with the Festival Chamber Society. Lansdale is particularly known for her solo Bach performances, and her Bach CD was cited by American Record Guide as “one of the best recordings of this music.”
Danielle Farina is the new Principal Violist of the Cape Symphony (Cape Cod, MA) and is a former member of the Manhattan String Quartet, the Lark Quartet and Elements Quartet. She performs regularly with a number of ensembles in the NY area and around the country, among them the Bedford Chamber Ensemble, Music from Copland House and the Palladium Chamber Players. A proponent of new music, Ms. Farina premiered Peter Schickele's Viola Concerto with the Pasadena Symphony and recorded Viola concertos by Jon Bauman and Andy Teirstein in addition to Anthony Newman's Sonata on the Planets for Viola and Piano and Joel Suben’s “Ciacconetta”for Viola and Orchestra with the composer conducting. Music of Robert Paterson, John Musto, Eric Ewazen, Morton Feldman and Pierre Jalbert are also part of the discography. Recent digital audio and video releases include all of J.S. Bach’s Sonatas for Gamba and Harpsichord with Anthony Newman and Richard Wilson’s Music for Solo Viola. An active teacher, Ms. Farina is on the faculty of Vassar College. A graduate of the Curtis Institute of Music, Ms. Farina studied with Karen Tuttle, Joseph dePasquale, Stephen Wyrczynski, and Byrnina Socolofsky.
Donald Enos, a native Cape Codder, holds the position of Wesley DeLacy Chair, Keyboards, with the Cape Symphony and is the resident pianist for the Chatham Chorale. He is also director of music at the South Dennis Congregational Church, where he often presents concerts on the church’s Snetzler Chamber Organ (1762), believed to be the oldest organ in continuous use in the United States. It is his exceptional musicianship and creativity that have made the Meeting House Chamber Music Festival the longest running music festival on Cape Cod. The festival will be celebrating its 50th Anniversary in the summer 2024. Prepare to be spellbound!
The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.
On Monday, July 17 at 7:30 PM, the Meeting House Chamber Music Festival will present a selection of full-fledged masterpieces with the characteristic intimacy and human scale of chamber music. The program features music from various countries and historical eras, all allied in their portrayal of intense and contrasting emotions. All festival concerts are presented at Church of the Holy Spirit, Orleans. Tickets are $25 at the door (under 18 free). Additional festival information can be found at http://www.meetinghousemusic.org
The first movement of Schubert’s Arpeggione Sonata is a blend of light and darkness, much like the composer’s own life. The astonishing range in mood runs from sensitivity and lyricism to gaiety to intense sadness. Gaspar Cassado’s Trio is agile and virtuosic. Like the Schubert piece, it creates a powerful dark-tinged mood that yields to a carefree dancing finale. Panufnik’s Piano Trio is full of panache and youthful romanticism and, like all the pieces in this program, it has an incredibly rich and varied emotional range. Mendelssohn’s Trio bursts with fiery emotion and also contains sublime, prayer-like moments.
Joining the festival's Artistic Director and pianist Donald Enos will be violinist Joyce Hammann and cellist Matthias Naegele. Joyce Hammann is a virtuoso who is equally at home on the concert stage, in a jazz club, and in front of screaming fans at a rock concert. She has performed and recorded with Paul McCartney, Sting, Michael Jackson and Bruce Springsteen and served as concertmaster for The Phantom of the Opera. Matthias Naegele has performed extensively as soloist and chamber musician in Europe, the United States, Mexico, Brazil, and Asia. Naegele's performances are regularly broadcast over National Public Radio and Public Television. He plays a Mateo Gofriller cello made in Venice in 1735.
The Meeting House Chamber Music Festival is the longest-running music festival on Cape Cod. The finale for this 49th summer season will take place on Monday, July 24 and will feature works by Shostakovich, Frank Bridge, Benjamin Britten, Telemann, and Mozart. A complete program listing for the 2023 season is attached and available at http://www.meetinghousemusic.org.
The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.
On Sunday, May 7, at 3 PM, the Jacob Sears Memorial Library will present a preview of this newly updated one-hour documentary. The film’s creators look beyond the iconic Euro-centric Mayflower story to present highlights in the history of the African American and Cape Verdean people in this region since the arrival of the English settlers in 1620. They find in the Mayflower Compact, and antecedents in Native American governance, powerful relevance for the divided America of today. Journeys in the Light tells its tale through the eyes, historical research, and works of art of the vibrant community surrounding Zion Union Heritage Museum in Hyannis. The documentary, produced by Janet Murphy Robertson, features important local artists including Robin Joyce Miller, Carl Lopes, Pamela Chatterton Purdy, Joe Diggs, Michael Alfano, Sean Cassidy, Vasco Pires, and others.
DREAMS FROM A PLANET IN PERIL by Lee Roscoe and Janet Murphy Robertson
Screening and Talk Back Discussion with Lee, Janet, and Laura Kelley of Protect Our Cape Cod Aquifer (POCCA)
Brewster Ladies Library, Saturday, April 15, 2:00-4:00 PM
Register at brewsterladieslibrary.org. Free admission.
Please join us for a screening of Dreams from a Planet in Peril, a spellbinding new film about planetary abuse and its underlying causes. The film’s characters, settings, and language change in the four different “dreams” within the film. Earth’s peril comes to life in a variety of engaging ways—as hyperbole, humor, satire, or melodrama and with all the variety, confusion, emotional range, and fragmentation of the dreamworld itself. Created by writer/director Lee Roscoe and filmmaker/producer Janet Murphy Robertson, the film was first released in October 2022 as individual film shorts, one of which premiered at New York’s prestigious Chelsea Film Festival and was a finalist in three categories at the Independent Shorts Festival in LA. Laura Kelley of Protect Our Cape Cod Aquifer (POCCA) will host a post screening discussion of eco-solutions, and the film’s creators will answer questions.
More about the Film
In the first dream—Water Spirits Colloquy—two Greek demigods and a legendary Native American spirit meet to share their torment over the ravaging of Earth’s waters by humans and eventually conspire to exact revenge. They interact amidst spectacular underwater and terrestrial imagery and in scenes of environmental destruction that build to a dramatic ending. In The Cage, an owl watches as three characters argue, with a mixture of stunning insight and staggering myopia, in a fast-paced mini class war that highlights societal conflicts impeding change. In Reprieve, an indigenous man in despair over the demise of his culture and the Earth is saved by the common decency of people he barely knows. The Warning brings the film to its stunning conclusion as the nameless slumbering woman is propelled by her dreams into a cartoon world so outrageously destructive to the planet that she steps into the dream and attempts to stop the madness.
In addition to Roscoe, the cast includes nine other beloved Massachusetts-based actors: Tom Wolfson, Judith Partelow (courtesy of SAG), Rod Owens, Karen McPherson, Constance Wilkinson, Cleo Zani, Geof Newton, Olivia Thompson, and LeVane Harrington.
Dreams from a Planet in Peril is supported in part by grants from the Massachusetts Cultural Council (Towns of Brewster and Dennis).
The Cape Cod Museum of Art will host the Regional Premiere of Dreams from a Planet in Peril, a new experimental art film by writer/director Lee Roscoe and filmmaker/producer Janet Murphy Robertson. The action unfolds as a series of intense dreams in which the female protagonist—a passionate environmentalist—witnesses the progressive destruction of the Earth and its underlying causes and consequences. She ultimately awakens and confronts the perpetrators within the fourth dream itself. This last portion of the movie—also distributed as a short film titled The Warning—had its New York premiere at the prestigious Chelsea Film Festival in October 2022 and was a finalist for three additional awards at the Independent Film Shorts Awards in LA. After the 65-minute screening, there will be a talk back session with the creators and some of the starring actors.
Just as in an actual night of dreams, the film’s “plot,” visuals, and language change completely as the action unfolds and literal realism is rare. Earth’s peril comes to life at different points as hyperbole, humor, satire, or melodrama and with all the variety, confusion, emotional range, and fragmentation of the dreamworld itself. In the first dream—Water Spirits Colloquy—two Greek demigods and a legendary Native American spirit meet to share their torment over the ravaging of Earth’s waters by humans and eventually conspire to exact revenge. They interact amidst spectacular underwater and terrestrial imagery and in scenes of environmental destruction that build to a dramatic ending. In The Cage, an owl watches as three characters argue, with a mixture of stunning insight and staggering myopia, in a fast-paced mini class war that highlights societal conflicts impeding change. In Reprieve, an indigenous man in despair over the demise of his culture and the Earth is saved by the common decency of people he barely knows. The Warning brings the film to its stunning conclusion as the nameless slumbering woman is propelled by her dreams into a cartoon world so outrageously destructive to the planet that she steps into the dream and attempts to stop the madness. More about the film here.
In addition to Roscoe, the cast includes nine other beloved Massachusetts-based actors: Tom Wolfson, Judith Partelow (courtesy of SAG), Rod Owens, Karen McPherson, Constance Wilkinson, Cleo Zani, Geof Newton, Olivia Thompson, and LeVane Harrington.
DREAMS FROM A PLANET IN PERIL is supported in part by grants from the Massachusetts Cultural Council (Towns of Brewster and Dennis).
An interview of Lee Roscoe and Janet Murphy Robertson by Johnny Bergmann, ArtsLight, Lower Cape TV, on Wednesday, March 8.
The new release of Journeys in the Light was previewed at First Parish Brewster UU on Sunday, February 12. Under its new title, JOURNEYS IN THE LIGHT, Democracy, Diversity, and Myth in the Wake of the Mayflower, the one-hour documentary presents a unique perspective on four centuries of history since the arrival of European settlers in this region.
The film’s creators look beyond the iconic Euro-centric Mayflower story to present highlights in the history of African Americans, Cape Verdeans, Wampanoags, and other People of Color here. At the same time, they find in the outright conflict aboard the Mayflower, and the ultimate Mayflower Compact, powerful relevance for the divided America of today. Journeys in the Light tells its tale through the eyes, historical research, and works of art of the vibrant community surrounding Zion Union Heritage Museum in Hyannis. Notable among the historical resources are the writings of long-time civil rights activist Dolores Daluz.
This Black History Month program included a brief introduction by the filmmaker, Janet Murphy Robertson, with a special tribute to John L. Reed, her collaborator in the creation of this film, who passed away several days before the event. Robin Joyce Miller read a moving tribute to Mr. Reed written by Massachusetts Representative Kip Diggs. After the screening, Janet Robertson was joined for Q & A by Ms. Miller, who contributed research, commentary, poetry, and history-inspired works of art to the film. The poetry of Robin’s husband James W. Miller is also featured.
Journeys in the Light is produced by Janet Murphy Robertson of ArtistsAndMusicians.org in collaboration with Zion Union Heritage Museum. In addition to Robin Joyce Miller, the featured artists include Carl Lopes, Pamela Chatterton Purdy, Joe Diggs, Michael Alfano, Sean Cassidy, Vasco Pires, and many others. Artwork by Robin, Lee Roscoe's new book Wampanoag Art through the Ages, Traditional and Transitional, and other items will be available for purchase at the event.
Robin Joyce Miller
Robin Joyce Miller is a retired educator, artist, author, poet and public speaker, who taught for 30+ years in the NYC school system. She spent the first half of her career teaching learning-disabled students and the next half as an art teacher. Robin was also a NYC Blueprint for the Arts Facilitator, leading workshops at the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum. She is a recipient of the NYC and NY State Region 8 Art Educator of the Year Award.
After retirement she and her husband have maintained two residences in NYC and Cape Cod. After George Floyd’s murder, Robin and her husband, James, began presenting a BLM series with the Cotuit Center for the Arts. These programs are available to the public on Cotuit on Demand - YouTube. She is also on the Board of Directors at the Cotuit Center. Robin has served as a volunteer and resident artist at the Zion Union Heritage Museum, Hyannis since 2013. You can view more of Robin’s work on www.robinjoycemillerart.com.
Janet Murphy Robertson
Janet Murphy Robertson is the documentarian for Zion Union Heritage Museum where, in addition to Journeys in the Light, she produced the film documenting Pamela Chatterton-Purdy and Rev. Dr. David A. Purdy’s magnificent art and historical exhibition Icons of the Civil Rights Movement. Janet is also Executive Director of ArtistsAndMusicians.org, the producer of Shoestring Virtual Theater, as well as stage plays, concerts, and other cultural events. Shoestring’s 2022 film shorts titled Four Plays for a Planet in Peril (Filmmaker: Janet Murphy Robertson; Writer/Director: Lee Roscoe) have been recognized by the LA Independent Shorts Awards and the Chelsea Film Festival where Part IV: The Warninghad its New York premiere in October 2022. Janet works collaboratively with clients on the whole range of activities vital to successful productions— from photography, videography, sound effects, set design, editing, and scoring to marketing, PR, and business planning.
Janet's additional production credits include several highly successful runs of A Woman's Heart by Judith Partelow and the musical version by Judith Partelow and Dana McCoy; Three Viewings by Jeffrey Hatcher; Sorry Wrong Number by Lucille Fletcher; The House of Atreus: From Tantalus through the Trial of Orestes by Elsa Bastone; Mick Ryan's Lament by Robert Emmet Dunlap and Kathi Taylor, and many other plays and concerts.
Before coming to the Cape in 2007, Janet was a senior consultant with PriceWaterhouseCoopers, Vice President of two major retail companies, and President of the retail consulting firm Ogden Associates. She earned her BA at Vassar College, where she majored in Philosophy, and did graduate work at Drew University and the University of Paris (Nanterre).
On Sunday, November 20 at 4 pm, Church of the Messiah, 22 Church Street, Woods Hole, MA will host Courante Cape Cod players Jan Elliott (recorder), Molly Johnston (viola da gamba), David Gable (violin), and Brittany Lord (harpsichord) in a concert titled "Music for a While." This outstanding Cape Cod group will perform the same program on Saturday, November 19 at 3 pm at the Federated Church, 320 Main Street, Hyannis. Guest artist for both concerts will be soprano Joan Kirchner.
Courante performs music of the seventeenth and eighteenth centuries on period instruments. The group's name is taken from a popular baroque dance characterized by sprightly rhythms and triple meter. This concert's attendees will be treated to songs and dances by Henry Purcell, courante by Giovanni Battista Buonamente, songs by Claudio Monteverdi's Scherzi Musicali, and cantatas by Georg Philipp Telemann.
Amit Peled is well known to Cape Cod audiences as he has performed with Donald Enos and the Meeting House Chamber Music Festival each summer for many years. Now we will be treated to a fall performance by this great cellist! Join Amit Peled and the Falmouth Chamber Players Orchestra on the weekend of November 5-6. Please see details in Marilyn Rowland's article below And don't miss the inevitably spectacular 49th summer season of the Meeting House Festival, June-July, 2023. Details will be posted here in the spring!
From Marilyn Rowland's "Notes on the Arts"
Internationally renowned Israeli cellist Amit Peled will perform Haydn’s Cello Concerto No. 1 in C Major with the Falmouth Chamber Players Orchestra, under the direction of William Drury, on Saturday, November 5, and Sunday, November 6, at the First Congregational Church of Falmouth, 68 Main Street. Both performances are at 3 PM. Tickets are $20 and available only at the door. For more information about the concert and the Falmouth Chamber Players Orchestra, visit falmouthchamberplayers.org, or call Fritz Sonnichsen at 508-274-2632.
Other works on the program are Mozart’s Overture to his opera, “The Abduction from the Seraglio,” and Schubert’s Symphony No. 8 in B minor (“Unfinished”).
Acclaimed as one of the most exciting and virtuosic instrumentalists on the concert stage today, Peled has performed in many of the world’s most prestigious venues, has released over a dozen recordings, and is on the faculty of the Peabody Institute of the Johns Hopkins University in Baltimore. He has presented master classes around the world, and, during the pandemic, he established the Amit Peled Online Cello Academy, providing classes based on his book, “The First Hour – A Cellist’s Daily Technical Regimen.” An enthusiastic and generous teacher, he also provides free “Teaching Tips” via YouTube and Facebook. In the background, his home studio features striking works by local artists for his worldwide audiences to enjoy.
Born and raised on an isolated kibbutz in Israel, Peled did not start taking cello lessons until he was 10 and, for a time, was distracted by basketball—he is six foot five. Peled has retained a buoyant athleticism in his playing, using his whole body to express his dynamic musical voice.
Peled has strong ties to the Cape, considering it his second home, and is enthusiastic about playing with the Falmouth Chamber Players Orchestra. A frequent performer to sold-out crowds on the Lower Cape, this concert will be his first on the Upper Cape since his early days performing intimate concerts at Johnson String Instrument in Falmouth.
“Haydn C is the first concerto I ever played with an orchestra and the one I have played most frequently,” said Peled. “I just love it. It’s hard and it doesn’t get any easier, but it is so much fun for the orchestra, for the soloist, and for the audience. It never gets boring, and it demands great communication between the orchestra and the soloist.
“C major is the most heroic and festive key for the cello,” Peled said. “Haydn really knew how to write for the cello, incorporating a full range of cello techniques.”
“The concerto always brings something new from me. Each orchestra takes you on a different journey. Each conductor takes you a different way. I allow myself to integrate with the orchestra and conductor. It’s always fun.”
One of Peled’s performances of the concerto was for Bernard Greenhouse, a former student of the legendary Pablo Casals and one of the founding members of the Beaux Arts Trio. Greenhouse was Peled’s “cello idol” because of his beautiful and distinctive tone. So, after Peled spent a year studying cello at Yale, he called Greenhouse, then 81 and retired, at his home in Wellfleet and asked to play for him.
Greenhouse was so impressed with the young cellist that he said, “If you’re willing to live here in Wellfleet, I’ll teach you for free.” Elated, but impoverished, he left a note in the Wellfleet Public Library: “Young Israeli cellist looking for a place to live in return for housework.”
“Just luckily, Judith Davidson saw the note,” Peled said, and she and her husband Arthur offered him their home. “They are still my best friends and have become like family to me, all because of my admiration for Greenhouse.
“Every summer since I left the Cape, more than 20 years ago, every summer I come here to play with Donald Enos, with the Meeting House Chamber Music Festival, or with the Cape Cod Chamber Music Festival.”
Peled also performed Haydn’s Cello Concerto in C Major at his graduation ceremony from the New England Conservatory, where he studied with Laurence Lesser. He has also performed an all-cello version of the concerto in Wellfleet (and elsewhere) with his Peabody cello students. “I have a lot of connections to Haydn C and to Massachusetts that are very special,” Peled said.
In a 2021 interview with Strad Magazine, Peled said, “We should open our eyes and ears to where we live and play for small communities. You can do just as much good playing in schools, retirement homes and jails as you can in Carnegie Hall. It is unbelievable how music can impact people.”
In 2012, after hearing Peled play, Pablo Casals’ widow Marta Casals Istomin entrusted him with the loan of Casals’ favorite instrument, his 1733 Matteo Goffriller cello, which Casals had purchased in 1913 and had used for all his recordings until his death in 1973.
“It was an amazing experience,” said Peled. “It was supposed to be a loan of only one year. I had it for six years and feel very honored and privileged to have played it.”
Peled is perhaps even more excited about his current cello. “It is the first time in my life that I have owned an instrument—I was always playing on an instrument provided by a foundation,” he said. “This instrument is not an old Italian cello. It’s an old American cello, an American Strad, as we call it, made by Carl Becker, who was the best cello maker ever, in Chicago.
“I simply love it,” Peled said. “When I first played it, I said, ‘this is my voice.’ I’m so very happy to own this special instrument. This concert with the Falmouth Chamber Players Orchestra will be my first time performing Haydn C on it, and I am looking forward to that.”
Peled’s love of the cello and his belief in the power of music and its ability to transcend barriers is unmistakable. He is convinced of its ability to speak to audiences, to bring respite in challenging times, to inspire and bring joy, and he is honored by his ability to share his music—and Haydn’s—and the legacies of his teachers with the world.
Violinist Katie Lansdale is a highly acclaimed soloist, chamber musician, and teacher who performs to enthusiastic audiences in the U.S. and internationally. She has given outstanding performances with many prestigious orchestras, including the National Symphony, the Baltimore Symphony, the Cleveland Chamber Symphony, the Austin Mozart Orchestra, and the New York Repertory Orchestra, as well as such concert series as the Phillips Collection, the Caramoor Series, and Lincoln Center’s Rose Room. In New York, where she founded the acclaimed Locrian new music group, Lansdale’s extensive chamber music concerts have included Mostly Mozart at Lincoln Center with Yo Yo Ma and Merkin Hall with the Twentieth Centuryists. She performs regularly in Carnegie Hall's Weill Hall with the Festival Chamber Society. Lansdale is particularly known for her solo Bach performances, and her Bach CD was cited by American Record Guide as “one of the best recordings of this music.”
Pianist Donald Enos, a native Cape Codder, also holds the position of Wesley DeLacy Chair, Keyboards, with the Cape Symphony and is the resident pianist for the Chatham Chorale. He is also director of music at the South Dennis Congregational Church, where he often presents concerts on the church’s Snetzler Chamber Organ (1762), believed to be the oldest organ in continuous use in the United States. It is his exceptional musicianship and creativity that have made the Meeting House Chamber Music Festival the longest running music festival on Cape Cod.
Two stars from the international music scene will perform with the Meeting House Chamber Music Festival. Romanian-born violinist Irina Muresanu, a Festival favorite, is known for her passionate, fearless playing. Her dazzling performances have been cited frequently by The Boston Globe as among the best of classical music performances. Cellist Sergey Antonov was the Gold Medal Winner (XIII) in the International Tchaikovsky Competition. Music critic Stephen Brookes of The Washington Post referred to Antonov as one of Russia’s "most spectacular soloists.” Both of these musicians have people crowding into recital halls around the world and Cape Cod residents and visitors will have their opportunity to hear them, along with the Festival’s artistic director and pianist Donald Enos, at Holy Spirit Episcopal in Orleans. Single tickets ($25) may be purchased at the door. Complete ticketing and program information at http://www.meetinghousemusic.org or by calling 508.896.3344.
The concert program includes Brahms’ Piano Trio in B major, premiered by a youthful Brahms in 1855 and imbued by the composer with even greater beauty and dynamism in a revision three decades later. A second piece is by the Norwegian composer, conductor, and violinist Johan Halvorsen—a widely acknowledged work of genius that has an important place in the chamber music repertoire: Passacaglia for Violin and Cello, based on the final movement of Handel’s Harpsichord Suite in G Minor.
This 48th summer season of the Meeting House Chamber Music Festival might be called the season of standing ovations, as concert after concert has brought audiences to their feet. This penultimate concert promises to do the same. The final concert of the season will be given on Monday, July 25 at 7:30 PM, also at Holy Spirit Episcopal. It will feature Donald Enos and the highly lauded soloist, chamber musician, and teacher Katie Lansdale.A complete program listing for the 2022 season is available at http://www.meetinghousemusic.org.
The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.
On Tuesday, July 12 at 7:30 pm, the remarkable musicianship of the Meeting House Chamber Music Festival will be on full display as it welcomes violinist Joyce Hammann and cellist Matthias Naegele to perform with the festival’s artistic director and pianist Donald Enos. Hammann has been lauded by The New York Times for her "splendid soloing" and "sweet, rich tone.” Naegele performs to enthusiastic audiences around the world. The centerpiece of the program will be Beethoven’s “Ghost” Trio (1809), one of the most popular works in the chamber music repertoire, whose spooking-sounding slow movement earned it the “ghost” nickname nearly 200 years ago. For those not holding season tickets, single tickets ($25) may be purchased at the door. Complete ticketing and program information can be found at http://www.meetinghousemusic.org or by calling 508.896.3344.
George Bernard Shaw’s description of Beethoven’s music fits the entire program well—“Enough beauty to last a lifetime”—and the beauty of this upcoming concert emanates from around the world. Included will be Germaine Tailleferre’s ebullient and entirely French 2nd Sonata for violin & piano; Spanish composer Enrique Granados’ magnificent Intermezzo for cello and piano; British composer James MacMillan’s Piano Trio #2; and Estonian composer Arvo Pärt’s Spiegel im Spiegel for cello & piano.
Joyce Hammann is a virtuoso with an astonishing range—equally at home on the concert stage, in a jazz club, or in front of screaming fans at a rock concert. She has performed and recorded with Paul McCartney, Sting, Michael Jackson and Bruce Springsteen and served as concertmaster for The Phantom of the Opera. Matthias Naegele has performed extensively as soloist and chamber musician in Europe, the United States, Mexico, Brazil, and Asia. Naegele's performances are regularly broadcast over National Public Radio and Public Television. He plays a Mateo Gofriller cello made in Venice in 1735.
The Meeting House Chamber Music Festival is the longest-running music festival on Cape Cod. After July 12, this 48th summer season will continue with two additional concerts: Tuesday July 19 and Monday July 25. A complete program listing for the 2022 season is attached and available at http://www.meetinghousemusic.org.
The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.
On Tuesday, July 5 at 7:30 pm, the Meeting House Chamber Music Festival will present three quartets—all masterpieces on a human scale—written across three centuries and in very different musical styles. The event will feature three of the festival’s favorite guest artists—violinist Heather Goodchild Wade, violist Laura Manko Sahin, and cellist Bo Ericsson—as well as the festival’s Artistic Director and pianist Donald Enos. The concert will be presented at Church of the Holy Spirit Episcopal, Orleans. 7-concert series ticket: $90. Single tickets ($25) may be purchased at the door. Complete ticketing information and program information at http://www.meetinghousemusic.org or by calling 508.896.3344.
The program will open with Mozart’s bright, melodious, and elegant Piano Quartet in E-flat Major, a masterpiece of the Classical Period. The quartet was written in 1783, not long after that new-fangled instrument, the piano, was first played in concerts. Written six decades later, Robert Schumann’s Piano Quartet includes an Andante cantabile that has been called one of the most beautiful cello themes of the Romantic Period. The work as a whole was described by a prominent reviewer of the time as “most lovely and appealing, uniting a wealth of beautiful musical ideas with soaring flights of imagination.” The British composer Frank Bridge completed his Phantasy Piano Quartet in 1910. Bridge’s most famous pupil, Benjamin Britten, described this brilliant work as “sonorous yet lucid, with clear, clean lines…. the music of a practical musician, brought up in German orthodoxy, but who loved French romanticism and conception of sound.”
A complete program listing for the 2022 season is available at http://www.meetinghousemusic.org.
The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.
On Friday, July 1, at 7:30 pm, Cape Cod audiences will have the delight of hearing the internationally acclaimed cellist Amit Peled perform in Orleans, MA in the third concert of the Meeting House Chamber Music Festival’s 48th summer season. Peled will put his bow to the same 1733 Gofriller cello once treasured and played by the great Pablo Casals himself. A 7-concert series ticket: $90. Single tickets ($25) may be purchased at the door. Complete ticketing and program information at http://www.meetinghousemusic.org or by calling 508.896.3344.
Amit Peled has enchanted the festival’s many fans each summer for years, just as he has thrilled audiences worldwide. Reviewers in the U.S. and around the globe have praised his performances: “fiery and intelligent” (The Strad Magazine, London), “sweepingly temperamental” (The Jerusalem Post), “simply gorgeous sound” (The Baltimore Sun), “a glowing tone, a seductive timbre and an emotionally pointed approach to phrasing" (The New York Times), among countless examples.
Amit Peled is widely celebrated not only for his musicianship, but also for his larger-than-life persona and engaging stage presence. Enos chose to collaborate with Amit Peled not only because of the cellist’s virtuosity, but because he brings to his performances the authenticity, raw emotion, and diverse cultural inspirations that Enos himself values, and that have become the festival’s trademark. The details of the upcoming concert will be a surprise, but the caliber will not.
A complete program listing for the 2022 season is available at http://www.meetinghousemusic.org.
The festival’s Artistic Director and pianist Donald Enos welcomes all to experience the Meeting House Chamber Music Festival this summer. In his words, the festival offers “the delight of hearing exquisite instrumental nuance in ensemble, and the full range of exposed emotion made possible through chamber music.”
The Meeting House Chamber Festival is grateful for the support of the Massachusetts Cultural Council, the Cape Cod 5 Foundation, and the Mary-Louise and Ruth N. Eddy Foundation.
On Tuesday, June 28, at 7:30 pm, a “campfire version” of Dana McCoy’s rock musical Lily the Tiger will be presented in the outdoor theater of Cotuit Center for the Arts, Cotuit, MA. The show features McCoy’s original songs and a story filled with poignancy and humor as “Lily” navigates a parade of catastrophes. McCoy will bring to the performance a plethora of New York talent including notable rock musicians Albert Bouchard of Blue Oyster Cult, Alec Morton of Raging Slab and Monster Magnet, and Mike Fornatale of The Losers’ Lounge NYC, Dot Wiggin Band and The Left Banke. The audience will be treated to a peek at the new musical’s stories and songs in advance of McCoy’s UK tour and the show’s New York launch later this year. Tickets are $35; $30 for Cotuit Center members; $33 for seniors and veterans. Ticketing and additional information: https://artsonthecape.org/explore/lily-the-tiger.
Lily the Tiger took its first steps onto the stage at New York’s historic Theatre 80 on May 31, 2022 in a reading for invited guests, including producers and potential investors. Hit Broadway performer, writer, and director, Gretchen Cryer of I’m Getting My Act Together and Taking It On The Road fame is helping to shape and direct Lily The Tiger, which also features marvelous dramatic coaching from Marcia Haufrecht of the Actor’s Studio. The show’s developmental producer is Janet Murphy Robertson of ArtistsAndMusicians.org. In early July, McCoy will set off on a UK tour performing selected songs from the evolving show.
A part-time local resident, Dana McCoy is delighted to share her latest creative work here on the Cape as she continues its development. Increasingly well known to Cape audiences, McCoy was actor, story-writer, composer, and co-director for A Woman’s Heart, based on the poetry of Judith Partelow, in 2019. In addition to her original score, the play featured songs composed and sung by McCoy. The Cape Cod Times’ features editor Gwenn Friss said of McCoy’s portrayal of a woman raising her children as she deals with a depressed and abusive husband, “Watching how she pulls off a lightness of being for her child is like seeing a Disney princess cast in a Quentin Tarantino movie.”
Dana McCoy’s professional accomplishments fill the gamut of performing arts—from dance and instrumental music to voice and theater performance, on stage, on film, and in video. McCoy and her music compositions have been heard in venues throughout the U.S., including CBGB’s, The Ritz, and Lincoln Center, as well as in Europe and the U.K. Her hit songs have been performed by such noted groups as Inner City, Degrees of Motion, and Left Field. She produced and performed “88 Butterfly, Taking Shape, a solo CD designated by Billboard editors as one of the best albums of the year. McCoy’s work on stage also includes her original rock musical "Prom Queens" co-written with Jennifer Schanke and Christina Cass. She workshopped the musical at Arnold Engelman’s Westbeth Entertainment in New York, a performance venue known for presenting bold new works from the likes of Stephen Colbert, Patti LuPone, and Sandra Bernhardt—and at Don Hill’s, a SoHo club at the heart of the New York rock scene. The musical was showcased off-Broadway and at Crown & Anchor’s Paramount Room in Provincetown, MA. McCoy played the lead role of Daisey and provided lead and background vocals and dance.
She also originated the starring role of Ingrid in Richard Caliban’s MoM: A Rock Concert Musical,winner of Outstanding Musical at the New York International Fringe Festival in 2008. The musical was selected as part of the Fringe Benefits Anniversary Series and was named one of the Fringe’s best 15 musical in 15 years. Reviewers at numerous publications, including The New York Times and Broadway World cited McCoy’s outstanding work. New York Times theater critic Anita Gates wrote, “(McCoy’s character) Ingrid is the interesting one. She begins as a trophy-wife type with a French twist, goes through an entertaining Patsy Stone of “Ab Fab” phase and ends up as Janis Joplin.” TalkinBroadway.com saluted McCoy for her charisma in the role, as well as her work on keyboards, bass, and percussion.
Dana McCoy has performed regularly at Joe McGinty’s Loser's Lounge, sharing the stage with former Saturday Night Live cast member Fred Armisen, cabaret artist Justin Vivian Bond, and other notables. She later founded and hosted Life Café NYC’s Naked Music Series which provided more than 300 gigs for well- and lesser-known musicians. She is an active performer and producer with New York’s Ukelele Cabaret.
McCoy worked with Gretchen Cryer, Evelyn Page, and Lesley Gore as founder, producer, and performer in Pillow Fight Theatre Festival: Hot Chicks of Substance" at 45 Bleecker in 2007. She wrote, performed, and produced her rock musical Cube Rat which tells the story of a superstar stuck in a cubicle. The musical was workshopped at New York’s SIR studios, the Green Room, and the Pillowfight Theater Festival and was presented at the Edinburgh Film Festival in 2011. Colin Quinn of Saturday Night Live called the musical “amazing.” Reviewers at the Fringe said of the work that “it fascinates, thrills and the songs are rhythmic, original and catchy. Beautiful sounds and ideas from a beautiful person.” The musical was included in the York Shakespeare Company's 10th Season.
Meeting House Chamber Music Festival
Cape Cod's longest-running music festival will be
performing "live" in Orleans starting June 20!
More information at
MEETING HOUSE CHAMBER MUSIC FESTIVAL WEBSITE
And here is a taste of the beauty and excitement
found in every Meeting House Chamber Music Festival concert!
Playwright Lee Roscoe is on a roll! Following quickly on the presentation of her play "No School" at Eventide's Playwrights' Lab last month, Roscoe will be in the spotlight again at a Dramatists Guild event on Friday, March 12, 7 pm. In her gripping play "Dark," Gaia confronts politicians, is arrested as a terrorist and ends the earth. Or is this mysterious woman merely claiming to be Earth as she attempts to tackle corruption?
"Eight years ago today, February 26, 2012, Trayvon Martin was killed— Hunted and stalked by George Zimmerman and shot.Trayvon was carrying a soft drink and a bag of Skittles. Trayvon fought for his life, yet Zimmerman was given a 'not guilty' verdict for 'self-defense.' This began the Black Lives Matter movement."—Pamela Chatterton-Purdy
Since 2004, Artist Pamela Chatterton-Purdy and Rev. Dr. David Purdy, writer and retired Methodist minister, have been working to create an artistic and scholarly record of the ongoing movement of Black people in America for freedom and equality under the law. Their magnificent art exhibition is titled Icons of the Civil Rights Movement. The piece at left, commemorating Trayvon Martin and the Black Lives Matter movement, is one of 46 works in the series. You can see all of the works to date here.
More about playwright Lee Roscoe in our Writers' Corner.
Theaters across the country are struggling to produce quality events in a new and challenging technical and logistical environment. And so it was at Eventide Theatre Company on the weekend of October 24 and 25. Notwithstanding the difficulties, Lee Roscoe's terrific and timely play about the rise of an autocratic regime in America drew more that 700 attendees to Eventide's Virtual Theatre. Audience response was overwhelmingly positive—a credit to the excellent cast, director Chris Edwards, and the support of the Massachusetts Cultural Council—Dennis and Brewster, MA.
“It was wonderful! Very unique, extremely well acted, loved the ‘virtual staging’ and the interplay between one actor/scene and the next, really added a very almost Brechtian mood to the production…Your story line & dialogue so well done…We’ll be donating & hope the theater project can keep on….This online theatre feels like a new valuable addition to the way productions can be done. Great work by all…(only thing that I would suggest that interfered with the flow for me were the ‘names’ that kept coming on (at least my) screen, found it confusing & distracting…hopefully that can be ‘tweeked’ out in future presentations?)” —Falmouth activist, well known painter
WHAT: Regional Premiere of the Lee Roscoe’s highly anticipated and timely play Impossible?—a serious satire about the rise of tyranny in America.
WHEN: 4 pm, Saturday, October 24 and 2 pm Sunday, October 25—livestreamed online.
WHERE: Eventide Theatre Company’s Virtual Playhouse located at https://www.facebook.com/eventidetheatrecompany
FREE. Donations welcomed.
Impossible? is supported by The Massachusetts Cultural Council, Towns of Brewster and Dennis.
MORE ABOUT THIS EVENT
Impossible? is a serious satire about the rise of a tyrannical president and how this impacts friends in a small New England town. The play is a ferocious, funny, and tragic look at how hyperbolized madness at the national level has real consequences in people's lives. The play is presented in two fast-paced acts. Set in the present day, Impossible? unfolds with an inevitability that is chilling as historical patterns in the rise of dictatorship emerge in modern form. The playwright's keen eye for the ridiculous keeps the audience chuckling along, entertained by witty dialogue even as the unthinkable becomes reality. Racism and sexism also feature in this thought-provoking play. The play is blunt and unsparing, without veering into partisanship or over-simplification, and is likely to be a win with audiences across the political spectrum.
Sarah St. Mimsey is an artist who struggles to make ends meet. Her lover, Dave O’Sulley, owns a local radio station. Their best friend, Landon Eldredge, is a farmer. As the play progresses, their relationships undergo profound alteration as the newly elected President, Eddie Fabuloso—urged on by his adviser, Nikki Mugg—loses his mental stability little by little as he rearranges a nation in his grip. O’Sulley's reporting on an incident at a Fabuloso rally connects the local action with that of the national scene.
Impossible? had originally been scheduled for September 2020 as a full-scale production for Eventide’s stage. Due to Covid, the play is being presented online through Eventide’s Facebook page and will be available at http://www.eventidearts.org through November 15. (Additional information at https://www.artistsandmusicians.org/writers_corner/leeroscoe.html)
The Playwright
Lee Roscoe is an award-winning playwright whose plays have been seen from NYC to the Cape and beyond, at such prime venues as The Living Theatre; Provincetown Theater; SlamBoston at Playwrights Theater Boston; Playwrights Platform, Waltham; Women’s International Theater Festival, Provincetown; The Tilden Arts Center, Hyannis; the Piano Factory, Boston; and Great Plains Theater Conference, Omaha. They have also been heard on public radio in San Francisco and Brandeis University. Her original radio drama, The Mooncusser's Tale, is available at https://beta.prx. org/stories/258677, and womr.org where it premiered. Lee Roscoe is a member of The New Play Exchange (NPX).
An Equity actress who trained at HB Studio, and Circle in the Square, she worked backstage at several Off-Broadway theaters, and later onstage Off-Broadway in the New Pinter Plays, and in the long run of “The Kitchen” directed by Jack Gelber, starring Rip Torn. The Boston Globe wrote “Roscoe is brilliant” regarding her role in The Captain’s Doll, Wellfleet Harbor Actors Theater. And she was Cape Cod Times' Best of the Year actress twice. She appeared in a number of films and writes of her experiences in counterculture filmmaking in The Cinema of Norman Mailer.
Her work has been praised by theater greats such as Living Theater founder Judith Malina, artistic director of the Shakespeare Theatre Company, D.C. Michael Kahn, David Hare, and the late Howard Zinn. Her themes are often about how the ills of the world at large affect the human heart, and her styles vary from realism, to satire, to the groundbreakingly abstract and imaginative.
She is a long-time journalist published widely on the Cape, regionally and, on occasion, nationally on topics ranging from the arts, science, and history to the environment and other news. Her poetry has appeared in Counterpunch, The Aurorean, and other journals. Author of "Dreaming Monomoy’s Past, Walking its Present," the interacting nature and history of a typical coastal area, she is a Massachusetts legislature state commended environmentalist/educator, and Woods Hole Ocean Science Journalism Fellow. She invented the first modular, multi-use clothing in the U.S.—The Instant Dress, featured in Life Magazine and Women’s Wear Daily.
Lee Roscoe is represented by ArtistsAndMusicians (http://www.ArtistsAndMusicians.org).
Eventide Theatre Company, located in the heart of Dennis, MA, provides an encouraging, supportive environment for actors, songwriters and playwrights leading to excellent, creative, and thought-provoking performances that stimulate and educate Cape audiences of all ages.
Harwich; Saturday, June 6, 2020 @ 2 pm. Event to begin at Brooks Park (Main St. at Oak St.). Parade to follow. Please see this link to RSVP and view full details: RSVP
Provincetown; Saturday, June 6, 2020 @ 12 pm. Event to begin at the Provincetown town hall. This event is a silent vigil.
On Sunday, January 26, at 3:00 pm, the Chamber Singers of the Chatham Chorale appeared at the Cape Cod Museum of Art in Dennis as part of the museum’s “Music & More! concert series. The string players of Quartett Giocosa and Cape Symphony keyboardist Donald Enos joined the singers in an intimate program of choral music. Repertoire ranged from the 16th century (Palestrina) to the late 20th century (Eric Whitacre’s “Five Hebrew Love Songs” and “Ecce Novum” by Ola Gjeilo), and included selections from Haydn’s “Little Organ Mass” and seasonal works.
Chatham Chorale is one of Cape Cod’s longest-established choral ensembles, for 49 years presenting an annual concert series with programs ranging from choral masterworks to Broadway, pops stylings, and premieres of new works by regional composers. The Chorale also regularly collaborates with the Cape Symphony—for example, in the annual Holiday Pops concerts—and sings in service to the community.
In 1976 the Chatham Chorale Chamber Singers, a smaller chorus composed of approximately 25 voices selected from the larger Chorale, was created to perform music written for smaller ensembles in more intimate spaces.
For more information, visit www.chathamchorale.org.
A clip from this outstanding concert featuring soprano Joan Kirchner, performed in Chatham, MA on November 9-10: Handel's Ode for St. Cecilia's Day.
"What passion cannot Music raise and quell!” mused the poet John Dryden.
This November, Music Director Joe Marchio led the Chatham Chorale, with guest soloists and chamber ensemble, in an “Ode to Music” and all its delights, at the First Methodist Church in Chatham.
Featured in the program was George Frideric Handel’s “Ode for Saint Cecilia’s Day,” in which the chorus and vocal soloists take turns praising the harmony that tunes all of Creation. Tenor Charles Blandy, soprano Joan Kirchner, and the Quartett Giocosa joined the singers in Handel’s cantata, composed in just ten days in 1739. Cecilia is the patron saint of music, and the text by John Dryden celebrates the “harmony of the spheres”—the theory that music was a force in Earth’s creation. Verses depict the role of various instruments: violins, flute, organ, and others. Some of the musical “tone painting” suggests primordial chaos, or atoms arranging themselves in order, the warlike qualities of the trumpet, or the mythical harp of Orpheus.
Charles Blandy is a much-heralded tenor based in Boston, specializing in music of the Baroque and praised by the Globe as “unfailingly, tirelessl lyrical.” Joan Kirchner, a frequent soloist with the Chorale, performs in a variety of styles regionally and on the Cape, and teaches voice at her Brewster studio. The instrumentalists of Quartett Giocosa—Heather Goodchild Wade and Irina Fainkichen (violins), Irina Naryshkova (viola), and cellist Elizabeth Schultze—met in the Cape Symphony and have performed as a quartet since 2017.
Marchio has frequently programmed the masses of Franz Joseph Haydn, and the Missa brevis Sancti Joannis de Deo is a favorite. Performed as originally scored, for choir, organ, and a small string ensemble, this short Mass is “elegant and expressive, with a beautiful sense of mysticism,” says the conductor. Haydn layers the words of the Gloria and Credo in different vocal lines, which helps keep the piece “short”! The longest movement (“Benedictus”) is a gorgeous dialogue for soprano Joan Kirchner and organist Donald Enos, the Chorale’s longtime accompanist.
Kirchner takes center stage to perform Franz Schubert’s beloved lied “An die Musik” (“To Music”), accompanied by Enos on piano. Its sweeping melodic line and poetic devotion to musical art have made the song a favorite of musicians since Schubert wrote it in 1817.
The great Victorian choral composer Charles Villiers Stanford created his energetic “Te Deum laudamus” in B flat as part of a complete church service marking the 60th anniversary of Queen Victoria’s reign. One reviewer called it “a major milestone in the development of Anglican church music . . . harnessing Brahmsian symphonic technique to the needs of the liturgy.” Notes Marchio, “It’s never been recorded and is rarely performed, but it’s a riveting example of Stanford’s work and perfect for this concert highlighting the chorus, organ, and small orchestra.”
Chatham Chorale is one of Cape Cod’s longest-established choral ensembles, for 49 years presenting an annual concert series with programs ranging from choral masterworks to Broadway, pops stylings, and premieres of new works by regional composers. The Chorale also regularly collaborates with the Cape Symphony—for example, in the upcoming Holiday Pops concerts—and sings in service to the community.
On Saturday, October 26, at 7:30pm: "Halloween Unhinged" will be performed at the South Harwich Meetinghouse, 270 Chatham Road, South Harwich. Soprano Joan Kirchner will join a haunted host of performers presenting pumpkin carols and other songs of the season.
Tickets $20 in advance; info at southharwichmeetinghouse.com.
A Woman's Heart has been performed to sold-out audiences since it premiered at Cotuit Center for the Arts' Black Box Theater on September 12. For tickets, please call 508.428.0669 or visit the theater's website.
REVIEWS
The play feels "like an epic poem, wherein the minutiae of the everyday is elevated to Odysseus-like significance." It is "extremely personal and also universal." "The play feels honest and raw in its emotion but polished in its delivery." Joanne Briana-Gartner, The Enterprise The complete review
"A Woman's Heart is a passionate life in poetry." "Watching how (Dana McCoy) pulls off a lightness of being for her child is like seeing a Disney princess cast in a Quentin Tarantino movie." "Particularly impressive is (Rod Owens') ability to transform from besotted lover to angry, chain-smoking stroke victim, depending on the scene. His face is so malleable it could be made of wet clay, remade with each new emotion." Gwenn Friss, The Cape Cod Times The complete review
THE PLAY
With Judith Partelow’s original poetry as foundation, this new production weaves A Woman’s Heart’s beautiful language into a captivating tale of friendship, heartache, and triumph.
From the opening scenes, we see three close high school friends reconnecting at their 50threunion to find their mutual impacts and inspirations have not only endured but also, ultimately, made all the difference in their respective lives.
Replete with life events and cultural references from the 1950s forward, A Woman’s Heart is at once a touching story bound to resonate with all (and especially baby boomers!) and a deft paean to the writer’s craft.
As well as a new story approach, the play is infused with music of the boomer era, plus original music written by McCoy, Owens, and Partelow’s daughter Amanda Sevak.
The show results from a collaboration between Partelow and McCoy—an award-winning New York-based playwright, director, actor, singer, songwriter, and dancer. The multi-talented duo has shaped Partelow’s beautiful writings into a compelling, music-filled journey through a writer’s life. A Woman’s Heart stars the collaborators themselves and actor/singer/songwriter Rod Owens.
This brilliant new production of A Woman’s Heart premiered at Cotuit Center for the Arts on Thursday, September 12 and will run through September 29 in the Black Box Theater. Performances are Thursday through Saturday at 7:30 PM, and Sundays at 2 PM. Tickets are $20, $15 for members. Cotuit Center for the Arts is at 4404 Route 28 in Cotuit.
About Judith Partelow
An award-winning writer, as well as Actors’ Equity actor and director, Partelow began writingpoetry when she was in third grade. Cape Cod journalist Caitlin Russell observed that Partelow has “a gift for taking heartbreaking subjects and shining a light on the pain, and the beauty and dignity born of struggling with it.” During its 2019 conference, the Cape Cod Writers Center recognized Partelow’s achievements with the Kevin V. Symmons Scholarship for Second Career Writers. In one of many rave reviews of earlier productions ofA Woman’s Heart, Kelley Brocco-Hagen wrote, “The play was FANTASTIC! Touched my heart profoundly! This needs major exposure!” Reviews of A Woman’s Heart---Earlier Versions of the Play
About Dana McCoy
McCoy brings to the collaboration a wealth of talent and experience in creating and honing stories and bringing them successfully to the stage. Among her many theater credits: “Cube Rat”—Writer/Performer/Producer, Edinburgh Fringe Festival and Off-Broadway (2011); “MoM: A Rock Concert Musical,” (Lead Cast Member/CoProducer) written by Richard Caliban, winner of Outstanding Musical at New York Fringe 2009 and selected as part of the Fringe Benefits Anniversary Series (2011) and The Almost Annual Festival (April 2013). As singer, songwriter, and instrumentalist, McCoy has topped Billboard charts and toured, directed, taught, and performed her own and other people’s original rock musicals internationally.
A Woman’s Heart is produced by Janet Murphy Robertson of ArtistsAndMusicians (ArtistsAndMusicians.org).
For more information about A Woman’s Heartat Cotuit Center for the Arts, visit www.artsonthecape.orgor call 508-428-0669.
VIDEOS
Co-directors and story-tellers Dana McCoy and Judith Partelow kibitz during a rehearsal. It's an extraordinary collaboration!
A New York couple came to see the play on opening night and share their enthusiasm here!
RADIO INTERVIEW
Candace Hammond interviewed director/story-tellers Dana McCoy and Judith Partelow and producer Janet Murphy Robertson about A Woman's Heart for her radio program on WOMR.
MORE INFORMATION (Earlier Productions of A Woman's Heart and Judith Partelow's poetry)
Note: A Woman’s Heart was originally performed by a cast of four and was essentially a sequence of touching vignettes with beautiful language, and without the story line, characters, and musical score of the current production.
Candace Hammond interviews Judith Partelow and Rod Owens on Arts Week: Interview at WOMR
The Cape Cod Times: Sue Mellen’s Review of A Woman’s Heart
Readers’ comments concerning Judith Partelow’s poetry.
The season finale of the Meeting House Chamber Music Festival will be held on Monday, July 29, 7:30 pm at Church of the Holy Spirit in Orleans. Performing in this special celebratory concert will beKatie Lansdale, violin; Megan Koch, cello; and Donald Enos, piano. Tickets can be purchased at the door or reserved in advance by phone (508.896.3344) or email ([email protected]). Tickets: $25 (under 18 free). More information at http://meetinghousemusic.org.
The typical Festival concert presents a series of treats, each with its unique style of expression, ideas, and cultural foundations. The season’s festive finale will serve up even more than the customary amount of delectable fare. A centerpiece of the program will be the Divertimento in D, Hob.XI:113 by Joseph Haydn (Austrian, 1732-1809)—as joyous and entertaining a piece of music as exists in the repertoire. Entirely different in mood and bursting with folk flavor are works for solo violin by Antonín Dvořák (Czech, 1841-1904). Another featured composer who, like Dvořák, mastered the violin in early childhood and went on to write soaring music for it, is Eugène-Auguste Ysaÿe(French-Belgian, 1858–1931). The passionate elegance of this “King of the Violin” comes through loud and clear in the “Les Furies” movement of his Violin Sonata No. 2.
And then there is the panache of AndréPrevin (b.1929), the German-American pianist and composer whose work has brought him four Academy Awards and eleven Grammys, including one for Lifetime Achievement. Previn wrote his beautiful Sonata for Cello and Piano for Yo-Yo Ma, and the piece was premiered by the world-renowned Chinese-American cellist in 1993. “Spring” from Astor Piazzolla’s The Four Seasons of Buenos Aires is fast, intense, and dramatic. Piazzolla (Argentine, 1921-1992) was the grand master of tango music and this piece is an exciting blend of traditional tango and classical and contemporary influences. Camille Saint-Saëns (French, 1835-1921) worked in many different styles and music formats during his long life, and chamber music was one of his early passions. His First Piano Trio is an exuberant, youthful, and at times even boisterous piece written when the composer was 28.
Three superb musicians performed in the Meeting House Chamber Music Festival’s fifth concert of the season on Monday, July 22 at Church of the Holy Spirit in Orleans.
Donald Enos founded Cape Cod’s longest-running music festival in 1973 and this concert put his remarkable musicianship and creative direction on full display. Mozart’s Trio K. 254 is written for piano, violin, and cello, and Enos played the most demanding and virtuosic part at the work’s center. He designed the program to include three additional trios with all the intensity and intimacy characteristic of chamber music and interesting back-stories to boot. In Arvo Pärt's “Mozart” Adagio, written in the 1990s, this contemporary Estonian composer creates a respectful and moving
tribute to the Classical Period master of two centuries before. Maurice Ravel composed his Trio during World War I, just before he volunteered for military service. The piece has a traditional form with some fascinating twists, including a Basque dance and a second movement inspired by the Malaysian poetic form “Pantoum.” Franz Schubert’s radiant Trio Op. 99 was composed in the immensely prolific last year before his death in 1828 at the age of 31.
Violinist Joyce Hammann and cellist Matthias Naegele completed this concert’s extraordinary trio of musicians. Hammann is a
performer lauded by The New York Times for her"splendid soloing" and "sweet, rich tone.” Naegele performs to enthusiastic audiences around the world and his performances are carried regularly by NPR and public television. Learn more about these artists and the festival itself at http://www.meetinghousemusic.org.
Next up will be the festival’s season finale on July 29 at Church of the Holy Spirit, 204 Monument Road, Orleans, MA.
Short clips from Meeting House Chamber Music Festival concerts earlier this season
Magnificent Trios from a Magnificent Trio, July 22
Schubert Trio in B Flat, Op. 99
Mozart Trio in B Flat
Dazzling violinist Irina Muresanu performing with festival founder/artistic director/pianist Donald Enos on July 1.
Bo Ericsson, Heather Goodchild Wade, and Donald Enos performing in West Barnstable, July 14. Violist Laura Manko Sahin also performed superbly in this concert.
On Sunday and Monday, July 14 and 15, the Meeting House Chamber Music Festival will featured a quartet of superb musicians and several works that are among the finest in the entire repertoire of chamber music. Sunday’s concert was held at 7 pm at 1717 Meetinghouse in West Barnstable and Monday’s concert began at 7:30 pm at Church of the Holy Spirit in Orleans. More information about the festival can be found at http://meetinghousemusic.org.
One of the most brilliant lights amidst the program’s gems was the sublimely melodious A Major Piano Quartet from Johannes Brahms, which was premiered in Vienna in 1863 with Brahms himself at the piano. Also featured was Haydn’s Trio No.13 in A Major, whose piano part is particularly complex and exciting. The glorious “Summer” concerto from Vivaldi’s The Four Season, which was written in the very year construction began on the historic 1717 Meetinghouse, is a brilliant evocation of the season. In the Finale from the important Romantic composer Carl Maria von Weber’s Piano Quartet, one could hear the influence of Mozart, as well as the freer forms and lyrical quality of Weber’s later Romantic-style works.
And in true Donald Enos form, there were some surprises—glittering works that are lesser known but no less moving, such as Praeludiumby the Swedish Romantic composer Jakob Adolf Hägg. Rounding out the program was a charming piece called ABird Came Down the Walkfrom the largely self-taught, highly innovative Twentieth-Century Japanese composer Tōru Takemitsu. With a poem by Emily Dickinson as its jumping-off point, Takemitsu’s music mirrors the poet’s open-mindedness, economy of language, and inspiration from nature.
The outstanding musicians performing in this concert were Heather Goodchild Wade, violin; Laura Manko Sahin, viola; Bo Ericsson, cello; and Donald Enos, piano. Biographies and additional information about the festival can be found at http://www.meetinghousemusic.org.
The festival continues with performances on Mondays through the end of July (July 22 and 29) at Church of the Holy Spirit, 204 Monument Road, Orleans, MA. On Sunday, July 14, the festival travels to 1717 Meetinghouse, 2049 Meetinghouse Way, West Barnstable, MA (same program as July 15).
On Monday, July 8 at 7:30 pm, two highly popular guest artists performed with Donald Enos and the Meeting House Chamber Music Festival: Elisabeth Remy Johnson, harp, and Clark Matthews, French horn. The concert was held at Church of the Holy Spirit in Orleans, MA. More information about the festival can be found at http://meetinghousemusic.org.
Elisabeth Remy Johnson is one of the most celebrated of Cape Cod’s native-born musicians. She holds the endowed Delta Air Lines Chair with the Atlanta Symphony—the orchestra that snapped her up immediately upon her graduation Phi Beta Kappa from Harvard. Matthews performs as principal hornist with the Cape Symphony, as well as the Indian Hill Symphony Orchestra and Discovery Ensemble.
In this third concert of the season, Enos pulled out all the stops as he continues his exploration of the finest chamber music from around the globe. The audience was treated to the dramatic beauty of the ballet music from Romeo and Juliet, the light playfulness of a scherzo for French horn, and a panoply of melody and moods in between. And with characteristic creativity, Enos paired harp, horn, and piano—spotlighting the instruments both individually and together—in a program that reaches technical and expressive heights through works of many styles and periods.
Remy Johnson is a fan of ballet in general and Sergei Prokofiev (1891-1953) in particular. Performed with Donald Enos, her rendition of Prokofiev’s Romeo and Juliet was a stand-out piece in the superb program. Composed in 1935 and based on Shakespeare’s play about star-crossed lovers across a social divide, the ballet’s premiere was delayed by five years due to political squabbles concerning its interpretation.
Dutch composer and conductor Jan Koetsier (1911-2006) was featured in the program with two pieces: Sonata Op.94 for harp and horn
and Scherzo Brillante Op.96 for horn and piano.Koetsier was a piano prodigy who developed a passion for brass and created many highly original compositions revered by brass fans for their fresh, conversational character. John Williams (b. 1932)—distinguished American composer of classical music as well as countless magnificent film scores—was represented in the program with his Horn Concerto. Williams himself described this work, which premiered in 2003, as a symphonic poem exploring a variety of colors and moods.The harp gem Whirlwindby the French harpist and composer Carlos Salzedo (1885-1961) illustrates well why Salzedo is credited with making the harp into a virtuoso instrument.
Turning back to earlier periods, Prelude, Theme and Variationsby Gioacchino Rossini (1792-1868) gave witness to the spirited and technically-demanding best of the Classical style. The earliest piece in the program was the Concerto in C by Johann Sebastian Bach (1685-1750), which was originally scored for two harpsichords—the go-to instrument of the Baroque period. And rounding out the concert’s global voyage was Concerto No.1 in C by Antonio Soler (1729-1783), a Spanish Catalan priest and astonishingly prolific composer of more than 500 works.
The festival continues with performances on Mondays throughout July (July 15, 22, and 29) at Church of the Holy Spirit, 204 Monument Road, Orleans, MA. On Sunday, July 14, the festival travels to 1717 Meetinghouse, 2049 Meetinghouse Way, West Barnstable, MA (same program as July 15).